Insight into the Inspiration for our Puppets (Part 2)
May 06, 2014 12:00 AM
Tara Nicole Haas
<a title="Insight into the Inspiration for our Puppets (Part One)" href="http://4thwalldramaturgy.byu.edu/insight-into-the-inspiration-for-our-puppets-part-one" target="_blank">In my last post</a>
By Tara Nicole Haas
In my last post, I talked about some of the puppet companies that have inspired our puppet making for The Selfish Giant. Here are a few more who we would like to share!
Blind Summit:
"17 years ago Blind Summit started with two guys, one puppet and one story. There was no adult puppetry scene in the UK. There was no Lion King, Avenue Q or War Horse... no one wanted to do puppetry, or to watch it! Since then we have created 30 productions, trained 100 artists and even directed the puppetry in the London 2012 Olympic Opening Ceremony. Last year our puppets were seen by over 330,000 people."
Mark Down - Artistic Director
• Puppetry innovators who are subverting and reinventing the ancient Japanese art form of Bunraku puppetry for contemporary worldwide audiences.
• They believe that at a time when theatre is so under threat from the proliferation of new media, puppetry is one of the areas which offers a unique, live experience for audiences. They see puppetry as a radical part of the reinvention of theatre in our time.
• Their work aims to challenge people's attitudes towards puppetry. Their puppets are modern and shows tackle contemporary issues that concern them.
Is there really an “edge” to everything“? For centuries, scientists, scholars, and even simple farmers have wondered about space - and how to see, up close, what is so far away.
Ever since the beginning of the rehearsal process, director Kris Peterson really wanted the cast to get their hands in the dirt. Like the events of the musical, the earth has a power to connect us to each other, and she recognized that. One way that Charlotte and I thought to do this was to provide a small number of seeds to each cast member and invite them to grow their own plants over the summer. This was also a way to encourage the cast members to stay mentally connected to the show even when they were physically distant from the rehearsal space.