Insight into the Inspiration for our Puppets (Part 2)
May 06, 2014 12:00 AM
Tara Nicole Haas
<a title="Insight into the Inspiration for our Puppets (Part One)" href="http://4thwalldramaturgy.byu.edu/insight-into-the-inspiration-for-our-puppets-part-one" target="_blank">In my last post</a>
By Tara Nicole Haas
In my last post, I talked about some of the puppet companies that have inspired our puppet making for The Selfish Giant. Here are a few more who we would like to share!
Blind Summit:
"17 years ago Blind Summit started with two guys, one puppet and one story. There was no adult puppetry scene in the UK. There was no Lion King, Avenue Q or War Horse... no one wanted to do puppetry, or to watch it! Since then we have created 30 productions, trained 100 artists and even directed the puppetry in the London 2012 Olympic Opening Ceremony. Last year our puppets were seen by over 330,000 people."
Mark Down - Artistic Director
• Puppetry innovators who are subverting and reinventing the ancient Japanese art form of Bunraku puppetry for contemporary worldwide audiences.
• They believe that at a time when theatre is so under threat from the proliferation of new media, puppetry is one of the areas which offers a unique, live experience for audiences. They see puppetry as a radical part of the reinvention of theatre in our time.
• Their work aims to challenge people's attitudes towards puppetry. Their puppets are modern and shows tackle contemporary issues that concern them.
Sor Juana Inez de la Cruz has sometimes been called "The Phoenix of America," as she is by far the most accomplished and globally read author to come out of the early Spanish-colonized Americas. Writing from New Spain (present day Mexico) , Sor Juana composed brilliant and biting poetry, wrote fiery letters in defense of her own creative spirit and the education of women, as well as dramas like the perfectly formed Spanish Golden Age style piece, House of Desires.
Art in Motion is a new show that was conceptualized by three female ballet faculty in collaboration with the animation department director here at BYU. The show beautifully merges animation, music, and ballet to tell the stories of three female artists from history. Those artists are Berthe Morisot, Sofonisba Anguissola, and Margaret Macdonald Mackintosh.
When I think of the word powerful, I often associate it with the really unique, rare, extraordinary moments in my life. I envision grandiose gestures or out-of-this-world ideas. However, through my research for BYU’s Art in Motion, three female artists changed my perspective of the word.