Skip to main content
2013 - 2014 Season

Significance and Symbolism

by Lola Danielson, dramaturg

China is an ancient country built on ceremony and tradition. It is home to the Great Wall of China, the Forbidden City, and one of the oldest and largest imperial tombs with its army of Terracotta Warriors. It has been rocked by multiple wars and changes of power, beginning with the Xia dynasty around 2000 B.C. After World War II, the Japanese forces that occupied China were defeated, but civil war broke out among two political groups – the Kuomintang and Communist parties. In 1949, the Communist party had won control of China and the country became known as The People’s Republic of China – what we know it as today. The borders of China were closed at that time and reopened to tourists around 1972. Because of its long period of isolation from the rest of the world, China became a place of wonder and mystery, one that many nations still desire to explore today.

Because of its long standing history of traditions, there is a lot of symbolism in the culture. The way families interact with each other and with their community is steeped in tradition. Even the world around them holds meaning - the trees, flowers, and plants are said to have spirits that can help them if they respect them. Certain colors and animals are also symbolic. For example, the color yellow and the dragon were reserved for the emperor as symbols of his position and power. The Forbidden City, home to the emperor of China, is the only place in China you will see a building with yellow tiles on the roof.

In theatre, their movements are carefully planned as each hand gesture and arm position hold meaning. Because of the unique style of Chinese theatre and opera, it was an amazing opportunity for the cast of The Nightingale to go to China and train with the Peking Opera - to see and learn the different theatrical techniques. Some of the cast will share their pictures and experiences from their trip to China over the next few weeks, so keep an eye out for their stories.

One aspect of Chinese culture that plays a part in our production is the use of color. You may have been taught that all colors have meaning, and they do. However, colors can mean different things in different countries. The significance of each color is a little different in China than what we are used to in America. Here is a comparison of Chinese and American meanings of color. There are many different meanings for one color; these compare just some of the many meanings associated to the color.

Color Comparison

While creating the costumes and scenery for the show, the production team payed close attention to how color was used. While not all uses of color in the show follow Chinese tradition, they were conscious decisions. For example, in China, yellow was reserved just for the emperor and purple was meant for the empress. However, in order to create costumes that work with stage lighting and complement each other on-stage, some uses of color needed to be adjusted. The use of white as underclothing that can be seen on each character was intentional and meant to show human frailty and remind us that life is fragile and what we do with the time we have is important. So, while some liberties needed to be taken, there is still significance attached to the choices and the team preserved the Chinese meanings where they could.

So, while you enjoy the show, pay close attention to the symbols and colors you see. What does it mean? How do they help your understanding of the character and their actions? Everything has meaning, if you only know where to look.

Related Articles

data-content-type="article"

Some Pig: Final Thoughts with Wilbur

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg After the show wrapped up and people went their separate ways, Garret Rushforth, who played Wilbur, and I chatted and I asked him some questions about his experience with the play. What better way to gain insight about the show than from the actor who was in the thick of things from the very beginning? Here is what Garret had to say about this unique opportunity: Me: How was this experience of playing Wilbur? What was your Favorite aspect of it all? Garret: I loved playing Wilbur. My favorite aspect was discovering the character more and more each performance. I never really felt that I had learned all that the character had to offer. Me: What were some challenges that you faced while preparing for the show? Garret: A few of the challenges that I faced had to do primarily with transportation. My car tried to die a couple of times during the run. As far as developing the show goes, I found that the difficulties were mostly in finding the lines. Not simply reciting them, but discovering what was beneath them, motivating them and making them come to life. Me: What lessons have you learned from playing this part, or just from the play in general? Garret: I've learned that there is an amazing opportunity to find out about yourself from the character discovery process. I also learned how much a family the cast can become if given the opportunity. Me: What is your favorite part of this story? Garret: I love when Wilbur and Charlotte talk about Charlotte's death and Wilbur is so devastated. It showed how deep Wilbur's reliance on Charlotte was as well as his desire to help her too. Me: As you leave this production, what will stay with you? Garret: The friendships I've made and the things that I've learned about myself because of the show. Me: What aspects of your character did you love/latch onto from the beginning? Garret: I latched onto the loneliness aspect of Wilbur's life. For all his life, he'd not been given much of a chance, Fern and Charlotte being the exceptions. He was written off by nearly everyone until Charlotte pointed out how special he is. Me: Any final thoughts you would like to share with those who came to the show? Garret: Charlotte's a web was a show that offered a unique view of friendship and family. It doesn't matter what someone looks like or where they're from, friendship and family can transcend all differences.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

From Page to Stage - Working with the English Dept.

July 26, 2022 12:00 AM
This coming week we have an exciting opportunity to hear from members of the BYU English Department. During the summer, as we geared up for rehearsals and the production in the fall, Shelley Graham and I talked about how we could get more departments here on BYU campus involved with the productions. It occurred to me that we had a special opportunity here, since this play was an adaptation from the Victorian novel George Eliot wrote. Through some help, I was able to get in touch with Professor
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

An Actor's Perspective, Part 2

July 26, 2022 12:00 AM
By Abram Yarbro and Holly Mancuso Microburst Theatre Festival opened last week, and it has been great to have an audience. As Lee Hall explained in an interview, "Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else."
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=