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REJOICE! Finding Joy in Every Circumstance

Rejoice finding light.jpeg

Christmas Around the World is a well-established tradition at Brigham Young University, with this year’s production marking its 60th appearance in the BYUarts season. While primarily a cultural celebration, there is always a theme arching over the production and informing the text and music performed in between the dance numbers. Previous years have seen themes, most recently, “A Light in the Window” (2019), which highlighted the importance of cultural roots being maintained despite immigration, and promoted empathy and compassion for those who have had to leave their ancestral homes against their will. With such a lofty preceding theme, the 2021 theme, “Rejoice” can seem rather simple in comparison. However, I think more than ever, today we are aware that rejoicing is not an inherently simple action.

Etymologically speaking, the word “rejoice” presents a point of interest. It is a variation of the word “joy”, which is commonly defined as “a feeling of great pleasure and happiness”, which I think is well within the bounds of how we typically consider the word rejoice. However, the prefix “re” is where my interest was piqued. This word-forming element first emerged (near as we can tell) in the 1200s from Old French and Latin, both with the meanings of turning back, renewing, coming back again to an original place. In that sense, “rejoice” can also be seen as “returning to joy”—a beautifully hopeful concept; the idea that even when we have lost sight of light, we can always find it again.

As the world continues to experience and feel the effects of COVD-19, we are in the midst of universal heartache and trauma. While life is never perfect, and there is always immense suffering present in the world, now we are currently facing a nearly unprecedented phenomenon: a global population united in experiencing, in various ways, the effects of the same antagonist. There is not a single person who hasn’t suffered in some way, lost loved ones or opportunities, or faced considerable hardship due to COVID-19 and connected events. For many, the year 2020 felt like a year in unwilling stasis: life could not continue as normal, and no one really knew how to cope with it. For me, I often felt like even breathing carried an extra weight to it. People were isolated, scared, and uncertain. For the most part, many of us are still variations of all of these things.

With Christmas Around the World this year, there is a conscious effort to highlight celebration and joy. In many cases, such as in Hopak, folk dances evolved from a need to rejoice in the wake and aftermath of war and fear. American pioneers, who had next to nothing and faced a seemingly barren desert to build a new home in, danced in families and as friends to celebrate the good God provided them. The Israeli Na’ara is a beautiful tribute to and celebration of the lives of loved ones who have passed on. Dance provides a powerful outlet whereby our fears and sorrows can be translated and changed into a renewal of joy in life.

Beyond this, this holiday season, regardless of what you celebrate—Christmas, Hanukkah, Kwanzaa, Diwali, Solstice, or various New Year’s—there is an urge to rejoice, even with the hardships at hand. Even in ancient times, early Christians would rejoice in the coming of their Savior, despite the heartache many of them faced in the face of King Herod. Hanukkah is celebrated in remembrance of Jerusalem being recovered and the Second Temple being rededicated; another instance of celebration in the aftermath of and continued sorrow and fear. Many celebrate the Winter Solstice, the shortest day of the year, despite the literal extended darkness of the day. Regardless of the circumstances, traditions, and faiths associated with these holidays, there almost seems to be a need to rejoice.

All of this goes to say, in the world at large and here at BYU, there is a collective need to “return to joy.” Heartache, trials, and confusion still, and will continue, to abound. We will always need to adapt to new versions of “normal,” make sacrifices we would rather avoid, and mourn for what we lose and miss out on. However, we can (and should) always seek our own “great pleasures and happiness(es),” despite the darkness surrounding us. When we look for light, we are often surprised by the abundance in which we find it.

Here we are standing, despite it all. What a wonderful reason to rejoice.

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Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
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Welcome to Zuckerman's Farm!

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Come one, come all! Come and see Zuckerman's famous pig! He is quite a sight to see, I do tell you. Please, step right up to get get a better look.
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