Skip to main content
Student Projects

REJOICE! Finding Joy in Every Circumstance

Rejoice finding light.jpeg

Christmas Around the World is a well-established tradition at Brigham Young University, with this year’s production marking its 60th appearance in the BYUarts season. While primarily a cultural celebration, there is always a theme arching over the production and informing the text and music performed in between the dance numbers. Previous years have seen themes, most recently, “A Light in the Window” (2019), which highlighted the importance of cultural roots being maintained despite immigration, and promoted empathy and compassion for those who have had to leave their ancestral homes against their will. With such a lofty preceding theme, the 2021 theme, “Rejoice” can seem rather simple in comparison. However, I think more than ever, today we are aware that rejoicing is not an inherently simple action.

Etymologically speaking, the word “rejoice” presents a point of interest. It is a variation of the word “joy”, which is commonly defined as “a feeling of great pleasure and happiness”, which I think is well within the bounds of how we typically consider the word rejoice. However, the prefix “re” is where my interest was piqued. This word-forming element first emerged (near as we can tell) in the 1200s from Old French and Latin, both with the meanings of turning back, renewing, coming back again to an original place. In that sense, “rejoice” can also be seen as “returning to joy”—a beautifully hopeful concept; the idea that even when we have lost sight of light, we can always find it again.

As the world continues to experience and feel the effects of COVD-19, we are in the midst of universal heartache and trauma. While life is never perfect, and there is always immense suffering present in the world, now we are currently facing a nearly unprecedented phenomenon: a global population united in experiencing, in various ways, the effects of the same antagonist. There is not a single person who hasn’t suffered in some way, lost loved ones or opportunities, or faced considerable hardship due to COVID-19 and connected events. For many, the year 2020 felt like a year in unwilling stasis: life could not continue as normal, and no one really knew how to cope with it. For me, I often felt like even breathing carried an extra weight to it. People were isolated, scared, and uncertain. For the most part, many of us are still variations of all of these things.

With Christmas Around the World this year, there is a conscious effort to highlight celebration and joy. In many cases, such as in Hopak, folk dances evolved from a need to rejoice in the wake and aftermath of war and fear. American pioneers, who had next to nothing and faced a seemingly barren desert to build a new home in, danced in families and as friends to celebrate the good God provided them. The Israeli Na’ara is a beautiful tribute to and celebration of the lives of loved ones who have passed on. Dance provides a powerful outlet whereby our fears and sorrows can be translated and changed into a renewal of joy in life.

Beyond this, this holiday season, regardless of what you celebrate—Christmas, Hanukkah, Kwanzaa, Diwali, Solstice, or various New Year’s—there is an urge to rejoice, even with the hardships at hand. Even in ancient times, early Christians would rejoice in the coming of their Savior, despite the heartache many of them faced in the face of King Herod. Hanukkah is celebrated in remembrance of Jerusalem being recovered and the Second Temple being rededicated; another instance of celebration in the aftermath of and continued sorrow and fear. Many celebrate the Winter Solstice, the shortest day of the year, despite the literal extended darkness of the day. Regardless of the circumstances, traditions, and faiths associated with these holidays, there almost seems to be a need to rejoice.

All of this goes to say, in the world at large and here at BYU, there is a collective need to “return to joy.” Heartache, trials, and confusion still, and will continue, to abound. We will always need to adapt to new versions of “normal,” make sacrifices we would rather avoid, and mourn for what we lose and miss out on. However, we can (and should) always seek our own “great pleasures and happiness(es),” despite the darkness surrounding us. When we look for light, we are often surprised by the abundance in which we find it.

Here we are standing, despite it all. What a wonderful reason to rejoice.

Related Articles

data-content-type="article"

"You have been my friend..."

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

It's All So Very... British! (Part 2)

July 26, 2022 12:00 AM
Playwright Philip King knew how to get the laughs. Much of the humor in See How They Run is the contrast of American and English cultures. America's entrance into WWII and subsequent support of the United Kingdom led to many American troops stationed in England. Those troops brought their American culture and customs. Consequently, 1940s Britain was suddenly learning a lot about our culture; some of it they liked and some of it they didn't but Philip King's ability to find the humor in American/England cultural differences contributed to See How They Run's success. BBC America: 10 American Habits Brits Will Never Understand See How They Run's current version was purposefully revised for an American audience. In fact, the play has gone through more than one big change. The original script was a one act farce titled Moon Madness produced at Peterborough Reperatory in 1942. A few years later it went to Comedy Theatre on London's West End and it was there that King added a second act and renamed it See How They Run. [caption id="" align="alignright" width="343"] See How They Run first appeared in London during Hitler's second Blitz of Southern England news1.ghananation.com/international[/caption] Opening night on the West End was an exciting event. Rumor has it that during the show, three bombs dropped on London but even Hitler's Blitz could not stop the laughs. The show continued without a pause but George Gee, the actor playing Clive, later complained that all three bombs dropped during his funniest lines. See How They Run was so successful it continued for 600 more performances. In 1949, the show was once again revised and re-staged, this time in America. King changed Clive and Penelope to American characters to appeal to the local audience. Also, with the end of the Second World War and the rise of the Cold War, the original Nazi intruder was changed to a Russian spy. This is the version we present to you this year.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

test

July 26, 2022 12:00 AM
story emporium
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=