Insight into the Inspiration for our Puppets (Part 2)
May 06, 2014 12:00 AM
Tara Nicole Haas
<a title="Insight into the Inspiration for our Puppets (Part One)" href="http://4thwalldramaturgy.byu.edu/insight-into-the-inspiration-for-our-puppets-part-one" target="_blank">In my last post</a>
By Tara Nicole Haas
In my last post, I talked about some of the puppet companies that have inspired our puppet making for The Selfish Giant. Here are a few more who we would like to share!
Blind Summit:
"17 years ago Blind Summit started with two guys, one puppet and one story. There was no adult puppetry scene in the UK. There was no Lion King, Avenue Q or War Horse... no one wanted to do puppetry, or to watch it! Since then we have created 30 productions, trained 100 artists and even directed the puppetry in the London 2012 Olympic Opening Ceremony. Last year our puppets were seen by over 330,000 people."
Mark Down - Artistic Director
• Puppetry innovators who are subverting and reinventing the ancient Japanese art form of Bunraku puppetry for contemporary worldwide audiences.
• They believe that at a time when theatre is so under threat from the proliferation of new media, puppetry is one of the areas which offers a unique, live experience for audiences. They see puppetry as a radical part of the reinvention of theatre in our time.
• Their work aims to challenge people's attitudes towards puppetry. Their puppets are modern and shows tackle contemporary issues that concern them.
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."
Alabama Story, playwright Kenneth Jones’ six-actor, one-set drama about censorship, book banning, Civil Rights and American characters in “the Deep South of the imagination,” had its world premiere by Pioneer Theatre Company in Salt Lake City, Utah in January of 2015.
One of the wonderful things about being a dramaturg is discovering interesting bits of information here and there about the play and the playwright. These are often things that never make themselves visible in the production, but offer fascinating insights nonetheless. Here are ten of those interesting facts we've learned about Chekhov and The Cherry Orchard.