Insight into the Inspiration for our Puppets (Part 2)
May 06, 2014 12:00 AM
Tara Nicole Haas
<a title="Insight into the Inspiration for our Puppets (Part One)" href="http://4thwalldramaturgy.byu.edu/insight-into-the-inspiration-for-our-puppets-part-one" target="_blank">In my last post</a>
By Tara Nicole Haas
In my last post, I talked about some of the puppet companies that have inspired our puppet making for The Selfish Giant. Here are a few more who we would like to share!
Blind Summit:
"17 years ago Blind Summit started with two guys, one puppet and one story. There was no adult puppetry scene in the UK. There was no Lion King, Avenue Q or War Horse... no one wanted to do puppetry, or to watch it! Since then we have created 30 productions, trained 100 artists and even directed the puppetry in the London 2012 Olympic Opening Ceremony. Last year our puppets were seen by over 330,000 people."
Mark Down - Artistic Director
• Puppetry innovators who are subverting and reinventing the ancient Japanese art form of Bunraku puppetry for contemporary worldwide audiences.
• They believe that at a time when theatre is so under threat from the proliferation of new media, puppetry is one of the areas which offers a unique, live experience for audiences. They see puppetry as a radical part of the reinvention of theatre in our time.
• Their work aims to challenge people's attitudes towards puppetry. Their puppets are modern and shows tackle contemporary issues that concern them.
The creative team began working on this production a little more than a year ago. In my role as production dramaturg, I was happy to create a website of resources first for the creative team, and then when we went into rehearsals, for the cast. And now that we are opening the show, the resources offer valuable perspectives to our audiences as well.
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”