by Janine Sobeck, dramaturg
Friday night, The Servant of Two Masters entered the newest phase of rehearsal: tech. Technical Rehearsals (most commonly known as "tech") is when we leave the classroom we've been rehearsing in and move on stage. One by one, the technical elements of costume, make-up, lights, sound, and props are added, and every night we get a little closer to having the full show on stage.
For this show, the first order of business was spacing. With the nature of the set, the cast needed time to see how blocking they've been practicing worked with the backdrop (with its door and shutters), the fountain, the ropes, and the entrances and exit.
Once the cast felt comfortable with the space, the second element added was props. While the cast had access to "rehearsal props" during the first few weeks (items that resemble or stand in place of the actual props), the transition from rehearsal props to real props can always be a little tricky. Some items don't work the same way, or are a slightly different size or shape, and so the cast, director, stage manager and prop designer have to work together to make sure that everything is perfect.
Tonight we start to add two more elements: lights and costumes. Since lights and costumes can have a major effect on each other (just imagine what would happen if you had a beautiful red dress put under a dark green light), lights and costumes are being added together to make sure that both designers (as well as the director) are happy with the results.
With each night we are getting one step closer to the final look of the show!
And just to give you an idea, here's a little sneak peak at one of our publicity photos...
Before a show opens its doors to audiences, before there are costumes and props, before sets are built and actors are cast, it starts simply as an idea. This idea is known as the ‘director’s concept,’ which a director presents to the designers at the show’s first production meeting. After that, it is the designers’ job to transform that concept from an abstract idea to a physical manifestation that can be seen onstage.
One of the great things about working as a production dramaturg is the time spent in rehearsal working with the actors. For this production of 12 Angry Jurors, we spent quite a bit of time exploring the world of the play. To help the actors interact with the courtroom drama world of Boston in 1953, we created a dramaturgical website for the actors. We put a link to this website on QR codes that were printed and hung throughout the rehearsal space, so that the actors could have access to the website at any time.
One of the first things many people think of when they hear the word Christmas is gifts. Gifts and Christmas have been interchangeable for a very long time in our world’s history. But over time, what people think of as gifts has shifted. Each new era or generation defines it differently. There were monetary gifts such as gold, frankincense, and myrrh in the days of Christ, when all things were handcrafted and only the wealthiest of people could have precious ore or spices from distant lands. Or perhaps, during the great wars of the twentieth century, a gift of war bonds was precious when patriotism and the survival of the world made things like toys seem trivial to many. Now, everyone wants the latest iPhone or the newest technology. Throughout our lives, what we want also changes. Gifts shift from toys, games, and candy to technology or clothes–all inconsequential things that provide short-term entertainment. However, all of these things fade and have less impact on our true joy. Joy can really be found in the simple things of life.