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2015-2016 Season

In March A Tree We Planted. Part 1.

By: Eric Stroud, dramaturg (NOTE: Mother Courage and Her Children opened on Friday to a major success. Tickets are still available for other showings, but they are going fast. You can buy them online by visiting this link.)
THE SONG OF SHELTER

IN MARCH A TREE WE PLANTED
TO MAKE THE GARDEN GAY.
IN JUNE WE WERE ENCHANTED:
A LOVELY ROSE WAS BLOOMING
THE BALMY AIR PERFUMING!
BLEST OF THE GODS ARE THEY
WHO HAVE A GARDEN GAY!
IN JUNE WE WERE ENCHANTED.

WHEN SNOW FALLS HELTER-SKELTER
AND LOUDLY BLOWS THE STORM
OUR FARMHOUSE GIVES US SHELTER.
THE WINTER’S IN A HURRY
BUT WE’VE NO CAUSE TO WORRY.
COSY ARE WE AND WARM
THOUGH LOUDLY BLOWS THE STORM:
OUR FARMHOUSE GIVES US SHELTER.

This lovely song comes in scene ten of Mother Courage and Her Children. Sung by a farmer and his family, it seems to be a simple ballad of gratitude for a garden in the spring and a house that keeps their family warm in the winter. It is a pretty song, but to be frank, random. When I first heard it, I wondered why would Brecht include it in his play. However, after some research I was surprised by what I found. Lets focus on the planting of the tree for a moment. A large part of director David Morgan's concept for this show revolves around a tree that sits center stage.

deadtree

When I first spoke to David about his concept for the show, he spoke of how he wanted to emphasize that any war we have today, is simply evidence that human kind has not learned from its mistakes. He wanted his audience to stop and think for a moment about what war has ever actually solved, and whether or not it is ever the answer. When he told me about the tree, I asked him what he wanted it to mean. He sat for a moment and pondered. "It's human kind," he finally answered. He went on to tell me that the tree would be a dead one, just as war mongering is the death of the human race. When are meeting was over, I immediately started doing research. Now that I understood my director's usage of a tree in the play, I wanted to know what Brecht meant by mentioning it in this song. In most translations of Mother Courage the word 'tree' or 'trees' is mentioned at least ten times. Now for a noun in a play, just over 100 pages, this is a fair amount of usage. Well, after doing some digging I came across some very interesting information. Adolf Hitler loved oak trees.

nazioaks

In fact, there were over 130 oak tree saplings presented by Hitler to gold medalists during the 1936 Olympic Games in Germany. I know, what the heck?

"The oak tree was considered the sacred tree of Germany. Hitler loved oak trees and had them planted all over the Reich as "concordant with the spirit of the Führer." Oak leaves and acorns were even the symbols of the SS, Hitler's green Praetorian Guard."Read more: http://bit.ly/1MfvYUb

So what does this have to do with Brecht's mention of trees so many times in Mother Courage? Well, as I have mentioned before, this play was written by Brecht as an anti-war, direct response to the Nazi Regime of World War II.

brecht&son

Although the play did not go on stage until prior to Hitler's regime (due to Brecht having to hide from them in Poland), we know that Brecht outwardly condemned the Nazi regime, which was his reason for hiding in the first place.

With this knowledge in mind, the planting of the tree by the farmer takes on knew meaning. While we do not know for sure, perhaps inclusion of the song in the play is a commentary on Hitler's attempt to use oaks as a means of manipulation.  Just as Hitler seemed to have used the oaks as a mask for the sinister, the farmer uses the trees as a means of willful ignorance to the war going on outside his home. Brecht certainly despised those Germans who would simply submit to the extermination of Jews and an oppressive dictatorship if it meant a joyful Spring. However, if you come and see the play, you can see what happens to this farmer and his family.

David Morgan's concept also took on new meaning for me as well. Though he did not necessarily mean it to, the tree became an omen for future generations. It stood as a warning to those of our generation who ignore our views on war, with a willful ignorance. However, Dave's concept delves deeper. Tune in to the next post to learn what other elements of the show apply to Dave's concept; "any war we have today, is simply evidence that human kind has not learned from its mistakes."

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Opening Night of Midsummer Night's Dream!

July 26, 2022 12:00 AM
Last week, A Midsummer Night’s Dream opened in the Nelke Theatre and it was a great success! Eric and I were pleased to be a part of the opening night and celebrate not only the opening night of the production, but also the 40th anniversary of the Brigham Young University Young Company. In order to set the tone of the evening, patrons were encouraged to check out the lobby display that Eric and I had created for the show. We chose to do a puppet making station, aptly named “The Mechanicals Puppet Making Station” where guests and participants could make their own puppet out of a sock or paper bag. Other craft supplies were provided for the participants—allowing them to use their imagination and create a unique puppet that they could take home. Creating such a lobby display, we hoped to provide patrons, and especially children, with an opportunity to use their imagination and create something special, as well as connect with the style of the production before seeing the show. The role of puppetry is crucial to this adaptation of Shakespeare’s Midsummer Night’s Dream—and we wanted to capture this and incorporate it whatever lobby display we chose. The actor’s hard work and rehearsal, as well as that of the production team, paid off—they did a marvelous job in telling the story of these loopy lovers and the adventures that take place in the magical forest. The puppetry skills and acting chops of the actors, the enchanting costumes, simple set design, and energy from the whole cast was thoroughly enjoyed by the very diverse and supportive audience. It was a packed house: if not sold out, very close. And this definitely contributed to the energetic feeling that pervaded the evening. Perhaps it was the presence of so many alumni from the Young Company that had come to support the production and celebrate the 40th anniversary of the formation of Young Company. Among the guests at the premier were Harold Oaks, founder of the BYU Young Company. Following the play, a presentation was made outlining and honoring the history and legacy of Young Company. Young Company has done an outstanding job for the last 40 years in providing quality theatre (adaptations and original works alike) for children that may not be exposed to the performing arts. A wonderful reception followed the presentation and was well enjoyed by cast and crew alike. A Midsummer Night’s Dream closes at BYU this Saturday, the 14th. Make sure to get your tickets soon and catch this unique production while you can! It will then go on tour throughout Northern Utah, presenting its whimsical and humorous message to elementary school children. Following are some images from the Opening Night Gala!
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Until Next Time, Microburst

July 26, 2022 12:00 AM
by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
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"You have been my friend..."

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
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