The House of Desires creative team has made multiple connections across campus and disciplines this semester, and we are excited to share this unique production with so many university community members outside the Theatre and Media Arts department.
Kathryn Isaak invited members of the cast and creative team from House of Desires to join her Interdisciplinary Humanities class on Friday, March 1st and share about their experiences working on the show. Students in Professor Isaak’s class are going to be watching House of Desires and writing an essay analyzing how technical elements highlight themes present in Sor Juana’s work, or describing how artistic choices came together to create meaningful moments in the story. Some of Professor Isaak’s students have not had many experiences watching live theatre, which makes us all the more excited to welcome new theatre goers into our audience! We know there is so much to learn from looking critically at Sor Juana’s work and these students will get so much out of this experience.
In a discussion with the students, Hunter Aro, our fight choreographer for this production, highlighted how his work was influenced by a Chinese performance in which a sword fight occurs in the dark. He also talked about his experiences choreographing the fight in our previous BYU Theatre production of Wait Until Dark, and the different challenges that come from choreographing a fist fight and a sword fight in the dark.
As the assistant dramaturg for the show, I was able to share my experiences studying Sor Juana’s original script, Los empeños de una casa. Studying the original Spanish play allowed me to give directors and designers a better understanding of the more literal meaning of Sor Juana’s words and insights on why Catherine Boyle may have translated parts of the story in certain ways. Thomas Jenson who plays Don Pedro talked about how his background in dance helped him create his character’s flirtatious, fun personality.
Don Pedro (played by Thomas Jenson) woos Dona Leonor (played by Elyna Mellen) in a preview performance of House of Desires at the BYU Museum of Art. March 2024.
Photo by Riley Lewis, BYU Museum of Art
Students had many great questions for the designers and actors. They were curious about the actors’ process of embodying their roles. The actors talked about how they have been learning how to trust their impulses, especially because this play is a comedy, and often their instincts have helped them discover these hilarious moments within the story. Adam Houghton, the director of the show, shared how he had the actors do the first thing that came to their mind as he was staging the show and then developed the comedy from there.
Designers and actors will also be joining Professor Valerie Hegstrom’s Global Women’s Studies and Spanish Golden Age Literature classes on March 21st to discuss their work on the show. Professor Hegstrom's students have been studying and discussing House of Desires in class, and we are so excited to hear their thoughts on Sor Juana’s work and how our performance compares with discussions they have had in class. We enjoy sharing the work we are doing in the theatre with other students across campus and hearing about their perspectives and experiences with these stories we love!
One of the great things about working as a production dramaturg is the time spent in rehearsal working with the actors. For this production of 12 Angry Jurors, we spent quite a bit of time exploring the world of the play. To help the actors interact with the courtroom drama world of Boston in 1953, we created a dramaturgical website for the actors. We put a link to this website on QR codes that were printed and hung throughout the rehearsal space, so that the actors could have access to the website at any time.
One of the first things many people think of when they hear the word Christmas is gifts. Gifts and Christmas have been interchangeable for a very long time in our world’s history. But over time, what people think of as gifts has shifted. Each new era or generation defines it differently. There were monetary gifts such as gold, frankincense, and myrrh in the days of Christ, when all things were handcrafted and only the wealthiest of people could have precious ore or spices from distant lands. Or perhaps, during the great wars of the twentieth century, a gift of war bonds was precious when patriotism and the survival of the world made things like toys seem trivial to many. Now, everyone wants the latest iPhone or the newest technology. Throughout our lives, what we want also changes. Gifts shift from toys, games, and candy to technology or clothes–all inconsequential things that provide short-term entertainment. However, all of these things fade and have less impact on our true joy. Joy can really be found in the simple things of life.
During planning for Christmas Around the World, Jeanette reached out to people who had the opportunity to tour and represent the United States this summer. I had the opportunity to go to tour in Spain with American Rhythm and the opportunities we had to meet people and learn about their cultures and their experiences, were truly incredible. We were asked about our experiences with meeting other people and what it was like to share cultural gifts with them. These questions were used to get answers from dancers and their answers were in the videos and audio you will see and hear throughout the show. These are the more detailed versions of my personal answers.