By Anne Flinders, dramaturg

The second week of rehearsals for BYU’s Henry 5 is completed, and the show is taking shape with an exciting look and sound that is unlike most Shakespeare plays.

The cast, directed by Megan Sanborn Jones, worked this week on incorporating movement from last semester’s Contemporary Performance Studies class into the play. The opening scene was developed on Thursday using viewpointing for blocking the cast’s interactions with each other and the audience as they present the prologue of the first act.  It will be a highly theatrical opening Shakespeare scene!

Henry 5 Movement rehearsal led by Dr. Jones

Henry 5 Movement rehearsal led by Dr. Jones

Another major element of the play is the sparseness of the set and props. This play will be a touring show, and from February through April the cast will travel to elementary schools twice a week across the Wasatch Front. The play is designed to be easily portable and able to be accommodated by a variety of school settings. Dr. Jones led the cast in exploring ways of using simple prop pieces of various sizes to represent all kinds of war implements and courtly decor. Four large square blocks serve as the only set pieces, and are being moved, stacked, and restacked by the cast in a variety of ways to create the many settings in which the play takes place.

The underscoring of the play is being designed by Michelle Ohumukini, who is bringing the sounds of rock bands, string quartets, indie-pop singers, and symphony orchestras to the play’s soundscape. The music of the play is an integral ingredient to the energy of the plot and its audience appeal. This is Shakespeare like you haven’t heard it before.

The on-BYU-campus performance of Henry 5 runs from February 6th through February 16th. Tickets are on sale now.

 

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