Skip to main content
2017-2018 Season

Where our story begins...

by Adolph Friedrich Vollmer

Hello! And welcome to the beginning blog posts of BYU’s production of The Mill on the Floss, adapted by playwright Helen Edmundson. My name is Richelle Sutton, the dramaturg for this production, and I am excited to share with you all a bit of the world of the play before you see it this coming November.

Already, as a member of the production team for this show, I have been asked many times, “What is this play about?” Let me outline for you really fast what you can expect. The story centers around the lives of Tom and Maggie

 Tulliver - siblings who grow up in their family’s mill on the edge of the river Floss. Maggie’s vivaciousness, intelligence, and constant need for love clash against her family’s and society’s expectations of her. In order to grasp and hold onto the things she finds the most important, she feels that she must change herself. But will these changes ultimately help her or hinder her? Would she be better off fitting in with society or blazing her own path? These are questions that you can expect to crop up as you watch this show.  

In order to help you as the audience further enjoy the production, I hope to provide fascinating and useful information relating to this beautiful production. During the next few weeks, I will be discussing things like the monetary system of the 1800's, exploring the life of the original author of the novel, George Eliot, and even sharing my personal interview with Helen Edmundson herself! I hope that you will enjoy this journey as much as I have so far, and as George Eliot articulated, “Great things are not done by impulse, but by a series of small things brought together.”  

Related Articles

data-content-type="article"

A 1930s Dramaturgy "Soiree"

May 29, 2024 10:15 PM
The world of Noel Coward’s Blithe Spirit is a rather far cry from the world that we are familiar with today. As such, a dedicated portion of our dramaturgical work for this production focused on helping the creative team become more comfortable and familiar with this brief look into the 1930s.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

A Swing for the Supernatural

May 28, 2024 09:16 PM
If you will see, or have seen, the BYU Theatre production of Blithe Spirit this June, you may notice that there are two names in the cast list who are not given a character role, but simply the role of “Swing.” Just what is a swing, and why are they important for a production? As dramaturg, I interviewed our two swing actors to get their perspectives - and definitions - of this important role.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

An Easter Egg Hunt through The Tempest

April 03, 2024 03:10 PM
Our production of Shakespeare’s The Tempest is a new adaptation by director Teresa Love.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=