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2013 - 2014 Season

Welcome to the 2013-2014 Season!

Welcome back to the 4th WALL for BYU’s 2013-2014 theatre season. The 4th WALL will be your one stop shop for all sorts of insider information about our upcoming productions, which include:

Hans Christian Andersen’s The Nightingale, adapted for the stage by Timothy Mason

The Light in the Piazza, by Craig Lucas (book) and Adam Guettel (music and lyrics)

Cymbeline by William Shakespeare

A Man for All Seasons, by Robert Bolt

Jane Austen’s Pride and Prejudice, a NEW adaptation for the stage by Melissa Leilani Larson

and

Oscar Wilde’s The Selfish Giant, adapted for the stage by Teresa Dayley Love

Take a moment to meet our dramaturgs, and then check back regularly as they take you inside the world of each of these productions. You can also make sure you never miss a post by choosing to Follow the 4th WALL (to the right), with an email arriving in your inbox every time new information is added.

For those of you returning from last season, you will notice some slight changes in the design of the site. It is our hope that this new design will make it easier for you to follow along with any specific shows.

As always, we love to hear from our audience members, so please feel free to engage with our dramaturgs or with the productions by leaving comments on any of the posts.

Thank you for visiting the 4th WALL!

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Italian Bias

November 06, 2021 01:52 PM
I love working as a dramaturg. I love studying, researching, and learning new things, and being able to treasure new knowledge in my life. Being part of the Julius Caesar production team has been a great and revealing experience. I quickly found out that as an Italian native who now lives in the United States, I have a lot of bias when it comes to my culture. First and foremost, Caesar is never the “bad guy” in my eyes, and I would dare to say he is not the bad guy in the eyes of most Italians as well. Scholars have debated about whether Caesar was a tyrant, would have been a tyrant, or if he would have been just, bringing serenity to a fractioned country. The truth is we will never know because he was murdered before he could become what he had envisioned himself to be.
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Meet the Masterminds...

October 29, 2021 06:44 PM
By Isabella Beals, dramaturg
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The Framework of Fandom in Escape from Planet Death

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The concept utilized when adapting the Escape from Planet Death podcast to the stage draws upon a type of performance consumption uncommon to traditional theatre fandom. In the world of our production, Escape from Planet Death was an authentic radio show that aired in the 1950s and built a cult fan base. In recent years the way in which audience members consume performance has become increasingly communal rather than individual. Fans and other consumers are invited to actively participate in the creation (or recreation) and circulation of new content, such as Fanfiction/remakes, cosplay, and collectibles.
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