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The many Phaces of the Moon

by Christian Riboldi, dramaturg

TwelfthNight

Last time we had a brief overview of the play Twelfth Night. Today we'll be talking about a few for the versions of Twelfth Night that are currently out there today. One of the great things about Shakespeare is it's timelessness. These are stories that will be told and retold over and over again, because of how they speak each of us. Over the years Shakespeare has been performed in a multitude of genres. The most well known Shakespearean style is perform it as accurate to Shakespeare's time as possible. The Globe Theater has recently put together one such performance. It's not only accurate in how they dress but in the types of actors they use. In the times of Shakespeare all actors were male. Even the female characters were played by male actors. Here are two very funny clips from Twelfth Night performed at The Globe that show this style of Shakespeare. [embed]https://www.youtube.com/watch?v=AvL6LiJkCJQ[/embed] [embed]https://www.youtube.com/watch?v=RDPT2e26SgY[/embed] Another medium for performing Shakespeare is film. A slightly more realistic take of this story is Kenneth Branagh's version of Twelfth Night. In this version he doesn't try to be true to Shakespeare's times, but he does keep the production stage like. Though it's a film notice that every scene is set up like a stage, with the camera being the audience. If you're interested in watching the whole thing or just poking around the scenes here is the full production. [embed]https://www.youtube.com/watch?v=6i3J17Jp0ag[/embed] Still more movie like is the 1969 version. Where the illusion of the stage is completely dropped, and with some movie magic the same actress plays both Viola and Sebastian. If you pay attention you might recognize the actor for Malvolio from a special film he's famous for. [embed]https://www.youtube.com/watch?v=DuwgQ9Qof88[/embed] Now we get into the movies that drop all sense of the stage and turn Twelfth Night into a full movie. https://www.youtube.com/watch?v=R39jE4SUEF4 These are just a few of the ways that Shakespeare has been performed over time. There are also movies like She's the Man which is based on the plot of Twelfth Night. That movie however removes all of Shakespeare's words altogether and just uses some names and basic plot points to tell it's story. It also changes the time period to a modern high school. Here in the BYU production we are going to be performing the show on stage, but the time period is going to be drastically changed to the Wild West. Even thought the show has been shortened significantly, almost every word we have in the script is part of the original Shakespeare. We hope to see you there. Next time we are going to focus on one of the fun ways that we have made this show into a western musical! See you then!

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Games and Activities Inspired by this Fishy, Wishful Tale (Part 2)

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The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
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Design Inspiration

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by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!
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Until Next Time, Microburst

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by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
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