Skip to main content
2019-2020 Season

The Evolution of Wendy Darling

Peter Pan might have refused to grow up, but Wendy Darling has certainly grown and changed since she made her appearance in J.M. Barrie’s novel. Set in the Victorian era, Wendy Darling was created to perfectly fit the values of that society. The “cult of the little child” became a true literary trend of the time, which mirrored the Victorian attitude toward life. Many writers of the time, including Barrie, were fascinated with the childish status and even envied the innocence and purity that belongs to the little ones. Books written through the eyes of children for an adult audience became a way to escape everyday life.

wendysewspetershadow.jpeg

Wendy became a literary icon for the Victorian age. In many ways she was groundbreaking. Female characters at the time were not written about or even relevant to the audience. Wendy not only becomes a relevant character in Barrie’s novel, but she also gets to escape and explore a new world with the boys. The story relies on the power of make-believe to escape to a different world without ever losing grasp of reality. This caught the reader’s attention and helped women relate to Wendy. Women could relate to her by playing the same game, escaping with their mind to a different place and then coming back to their home duties. The character of Wendy was capable of converging the fantastical adventures of Neverland with the mundane expectations of society.

In the Victorian era, womanhood was associated with motherhood. Wendy has innate maternal instincts; she does not need to find them, they are intrinsic in her being. She plays mother to the Lost Boys in Neverland, and when she comes back home she is ready to actually take on the future path of motherhood. Women of the time related to Wendy and were inspired by her character.

Screen-Shot-2020-03-10-at-12.36.20-PM-600x337.png
Wendy and Tiger Lily battle Captain Hook in the BYU production of Wendy and Peter Pan.

Fast forward to the present time and Wendy Darling is still relevant and inspiring. She actually becomes the protagonist of her own story, thanks to the adaptation by Ella Hickson written in 2008. The values of today’s society have shifted and Wendy does not need to think only about motherhood anymore. She does not have to think about herself only in a relationship to a man. Wendy does not need to rely on the aid of other characters for growth. The most powerful lines that come out of her mouth, surely are, ”I’m Wendy Darling. I am brave and I am strong and I am going on an adventure.” These inspiring words capture the effort of our modern society to encourage women to follow their dreams and feel empowered. This new tale sees Wendy more in charge of her actions and her destiny. She becomes brave, not because she has no fear but because she dares to try and be more than what she is. Wendy is the heroine of this decade as much as she was in the Victorian age. It will be interesting to see what more she will become for future generations.

Related Articles

data-content-type="article"

Microburst: Breathing Life into Plays

July 26, 2022 12:00 AM
Mikah Hansen practicing the play, Happy Holidays by Chelsea Mortenson The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Design Inspiration

July 26, 2022 12:00 AM
by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Opening Night of Midsummer Night's Dream!

July 26, 2022 12:00 AM
Last week, A Midsummer Night’s Dream opened in the Nelke Theatre and it was a great success! Eric and I were pleased to be a part of the opening night and celebrate not only the opening night of the production, but also the 40th anniversary of the Brigham Young University Young Company. In order to set the tone of the evening, patrons were encouraged to check out the lobby display that Eric and I had created for the show. We chose to do a puppet making station, aptly named “The Mechanicals Puppet Making Station” where guests and participants could make their own puppet out of a sock or paper bag. Other craft supplies were provided for the participants—allowing them to use their imagination and create a unique puppet that they could take home. Creating such a lobby display, we hoped to provide patrons, and especially children, with an opportunity to use their imagination and create something special, as well as connect with the style of the production before seeing the show. The role of puppetry is crucial to this adaptation of Shakespeare’s Midsummer Night’s Dream—and we wanted to capture this and incorporate it whatever lobby display we chose. The actor’s hard work and rehearsal, as well as that of the production team, paid off—they did a marvelous job in telling the story of these loopy lovers and the adventures that take place in the magical forest. The puppetry skills and acting chops of the actors, the enchanting costumes, simple set design, and energy from the whole cast was thoroughly enjoyed by the very diverse and supportive audience. It was a packed house: if not sold out, very close. And this definitely contributed to the energetic feeling that pervaded the evening. Perhaps it was the presence of so many alumni from the Young Company that had come to support the production and celebrate the 40th anniversary of the formation of Young Company. Among the guests at the premier were Harold Oaks, founder of the BYU Young Company. Following the play, a presentation was made outlining and honoring the history and legacy of Young Company. Young Company has done an outstanding job for the last 40 years in providing quality theatre (adaptations and original works alike) for children that may not be exposed to the performing arts. A wonderful reception followed the presentation and was well enjoyed by cast and crew alike. A Midsummer Night’s Dream closes at BYU this Saturday, the 14th. Make sure to get your tickets soon and catch this unique production while you can! It will then go on tour throughout Northern Utah, presenting its whimsical and humorous message to elementary school children. Following are some images from the Opening Night Gala!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=