Skip to main content
2017-2018 Season

Stage Manager, Jake Fullmer: Bags Packed, Will Travel!

Jake Fullmer is not only an experienced world-wide Stage Manager, for The Glorious Story Emporium, he will also be a traveling showman for Young Company’s traveling improv, set in the Vaudeville Era. As a stage manager, Jake is quick with compliments and accommodating requests. But don’t let his easy smile and flexible nature fool you, you’ve got to act fast to keep pace with him in his travels as of late. As a typical “Traveling Showman” Jake has traveled locally with Young Company, and nationally, and internationally with International Folk Dance. So where can you spot this rare breed of labor and laughs? I caught up with him at the BYU Prop Shop and am pleased to share some insights into what makes him tick.

Jake Fullmer

Education:

  • What grade are you in at BYU: I’m a "super senior"
  • What will your degree be in: Stage management
  • When do you plan to graduate: Next winter

Show Business:

  • What was your first foray into theatre: I actually started in theatre being a performer. When I was in middle-school, once I graduated and I was going to high school, we moved from Boston to DC. and I didn’t have any friends. So the friends I did make were in theatre and I was, like, if I’m going to hang out with these people I’m going to need to do theatre too. I started working as a house manager, actually, in a contemporary theatre back in DC. They still have me on the payroll. So that’s going on ten years now., which is nice. Whenever I go back, I’ll work with them a little bit. It’s a combination of doing house managing and performing. It wasn’t until I got to college that I started doing backstage stuff.
  • Which plays or parts stick out in your mind: So, the first play I was ever in was Pippin and that’s just how I view theatre, as a minstrel show. Now that I’ve been in theatre, I know that it’s definitely not that but that’s always how I feel when I’m in theatre – that it’s all just sort of a minstrel show, telling a story.
  • Tell me about your experience as a stage manager: The first show I ever worked on in a stage manager capacity, I was the assistant stage manager for Water Sings Blue, which was a Young Company show. The next year I was the stage manager for Cyrano, which was last year’s fall Young Company Show. I also have worked as the stage manager for the International Folk Dance Ensemble, and over the summer we just got back from South East Asia: Thailand, Vietnam, and Cambodia.
BYU "Water Sings Blue" (2015)

On the Road Again:

  • Where did you go last year: Last year, we did a tour in Nauvoo. We were there for a month. The performing missionaries would perform and then we would come on and do our show.
  • Tell me about this summer: It was amazing. Being able to have that challenge of being in a foreign country where the electronics, I don’t want to say they’re sub-par, but they use a different system than we do. And it’s interesting to figure out how to adapt what they have to what we have and put on the same caliber show.
  • How many weeks were you out: We were out for a month, well, like 24 days, so about a month. Basically, every week we moved on to a different country. So, the first week we were in Thailand. The second week we were in Cambodia. The third week we were in Vietnam. We did a couple of shows in each country.

Young Company: 

  • What is it like traveling with Young Company: I absolutely love it. I love being able to perform in different venues – well, I love being able to help my actors perform in different venues. I just love seeing how different people react, ‘cuz it’s never the same but it’s always fun.
  • Take me through a morning, getting to the actual school: The hardest part is waking up. We get to the makeup room, usually, I’ll plan for about an hour for makeup. Then whatever we have for travel time, I’ll usually put 30 minutes on top of it, so if it’s fifteen minutes away I’ll plan on leaving forty-five minutes early because of traffic in the morning – traffic is the worst. So, once we get into the school, they get in and get their makeup on, we pack the costumes, then we pack the truck with our stuff. Because at the end of every performance, we have to unload the truck and put our set and props and costumes back in storage, so we have to load it up every morning.Then we head out. Once we get to the school, we set up and the actors get into costume. We put on the show. Then we break down and we get lunch – which is one of my favorite parts.
  • Do you participate with the actors in the workshops the Young Company presents at these schools: Sometimes I do. A lot of the time I spend that time packing the van and making sure everything is ready to go.
  • Have there been any travel challenges: We’ve had pretty good luck with that. There haven’t been too many problems. Once, we had somebody get into an accident. They were able to make it to the show, but they met us there. We did have one actor, who will remain unnamed, who came late and we weren’t able to get a hold of him, but it worked out.
  • How comforting is it to know that someone has already set up all of the schools for you: Super comforting. That would make my job a lot more difficult. I’m really appreciative of everybody else that helps me in the process.

Glorious Story Emporium:

  • Have you worked with anyone else in the Glorious Story Emporium:
  • I took a class with Patrick [Livingston, the Director] last semester.  It was an improv class, just so I could get an understanding of that.
  • Paige Fletcher, she’s one of the actresses, I worked with her.  She was in the class with me, so I’ve done improv with her.  She’s great.
  • Rick, I haven’t worked with him but we went to KCACTF together.  We were in the same room and we have become really good friends.
  • What’s your connection to storytelling: I absolutely love storytelling. When we were little, my dad used to read us Chronicles of Narnia. You know those old pictures where you would see children hanging around the radio listening to the radio with no tv? We used to do that with the Harry Potter books. We’d put the books on tape on and we’d all just sit around and listen to it. I’ve actually written a little bit of poetry that’s been published in various anthologies. So, I’m big into storytelling. I just love being able to look into another world. And I’m a huge Tolkien fan. Tolkien is kind of my idol.

Feel the Love: Jake with his wife, Kiersa

  • Any shout outs: Shout out to my wife, Kiersa, who’s been supportive through all this. We’ve been married about a year now, a little over a year.
  • What story represents your story of how you met: Oh, probably the Disney version of The Princess and the Frog. She’s a hard worker and she wasn’t really expecting me to drop into her lap. I’m more of a guy going around and playing the ukulele. We met and she was not expecting anybody, and I just kind of wooed her off her feet after a while. And now we’re married.

Closing thoughts:

I would just say that if anyone is thinking about whether or not they want to go into theatre, I absolutely recommend it. Do what you love and you won’t work a day in your life.

Related Articles

data-content-type="article"

Microburst: Bringing to Life New Plays

July 26, 2022 12:00 AM
The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Welcome to Zuckerman's Farm!

July 26, 2022 12:00 AM
Come one, come all! Come and see Zuckerman's famous pig! He is quite a sight to see, I do tell you. Please, step right up to get get a better look.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=