Skip to main content
Test

Spotting Shaw in Misalliance

by Kelsee Jackson, dramaturg [caption id="attachment_3947" align="alignright" width="214"]

G_Bernard_Shaw

George Bernard Shaw circa 1894. Photo from wikimedia.org.[/caption] Irish-born playwright George Bernard Shaw had strong opinions and experiences that changed his life. Many of these opinions and experiences show up in his various writings. Here's a brief look at how Shaw's personal views influenced Misalliance. Education George Bernard Shaw (who much preferred the name Bernard to George) completed his irregular schooling in his hometown of Dublin. While possessing an eager mind, he passionately despised organized training, which lead to his deep dislike for school. In Misalliance, Shaw's disdain for formal education shows through in Hypatia, the young daughter of the largely successful John Tarleton. When Hypatia cannot even be bothered with talk of her education, responding to inquiries with: HYPATIA.  [gathering up her work]  If you're going to talk about me and my education, I'm off. Parents and Children Shaw grew up in a complicated family. His father was said to be an alcoholic and a wife beater, causing his mother to move away to London when he was 16. Shaw stayed behind in Dublin with his father to finish his schooling. However, he did not get along with his father and by the time he was 20, he left Dublin for London and a reunion with his mother. Shaw's disconnect with his parents also influenced his writings. This conflict between parents and children is a central piece of the plot in Misalliance. The two older men in the play, Lord Summerhays and Mr. Tarleton, spend time contemplating the ins and outs of this complicated relationship. LORD SUMMERHAYS.  Parents and children, Tarleton. TARLETON.  Oh, the gulf that lies between them! the impassable, eternal gulf!  Socialism By the time Shaw had moved to London with his mother, he started to develop views of socialism. He started speaking out on his opinions, an act with helped him get rid of his stutter. Shaw soon helped establish the Fabian Society, a program dedicated to making Britain a socialist nation by progressive legislation. He dedicated much of his time to this society, giving lectures and writing pamphlets. During the time of the play (1909), there were many thoughts regarding socialism. The influence of socialism and the people promoting it can be seen in Misalliance through Gunner, a poor citizen who hides in the Tarleton's Turkish Bath. Gunner (also known as Julius Baker) speaks openly about his socialistic views to the Tarleton family: GUNNER.  [suddenly breaking out aggressively, being incapable of any middle way between submissiveness and violence]  I can tell you where Hypatia is.  I can tell you where Joey is.  And I say it's a scandal and an infamy.  If people only knew what goes on in this so-called respectable house it would be put a stop to.  These are the morals of our pious capitalist class!  This is your rotten bourgeoisie!  This!— MRS TARLETON.  Don't you dare use such language in company.  I wont allow it. TARLETON.  All right, Chickabiddy:  it's not bad language:  it's only Socialism. MRS TARLETON.  Well, I wont have any Socialism in my house. While Misalliance was a comedy, Shaw was able to approach issues that were a big deal to him through the characters and their situations. He pokes fun at these issues and creates a funny show out of it. Many of these issues spread broadly over time and place, which is one reason we're still able enjoy it now!


References: http://www.english.upenn.edu/~cmazer/mis1.html http://www.nobelprize.org/nobel_prizes/literature/laureates/1925/shaw-bio.html

Related Articles

data-content-type="article"

Meet the Masterminds...

October 29, 2021 06:44 PM
By Isabella Beals, dramaturg
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

The Framework of Fandom in Escape from Planet Death

October 27, 2021 12:00 AM
The concept utilized when adapting the Escape from Planet Death podcast to the stage draws upon a type of performance consumption uncommon to traditional theatre fandom. In the world of our production, Escape from Planet Death was an authentic radio show that aired in the 1950s and built a cult fan base. In recent years the way in which audience members consume performance has become increasingly communal rather than individual. Fans and other consumers are invited to actively participate in the creation (or recreation) and circulation of new content, such as Fanfiction/remakes, cosplay, and collectibles.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

A Letter from the Luna Dramaturg

October 15, 2021 12:00 AM
by Darci Ramirez, dramaturg Dear Audience Members and Fellow Stars, Luna is able to take cosmic themes and tell them in a single, simple story for people who are looking for a reason to believe in their dreams and find friendship. But that doesn’t mean that the heavier themes are missed by younger audiences.. Need, loss, loneliness and sacrifice are all shown throughout this play. It’s important to recognize that the ending isn’t perfect; Mama and Papa are separated from Soledad and Luna’s relationship with Soledad is still tender and hurt. We don’t know what the future holds for Mama and Papa, who are still continuing to work in an industry that is hard and, sometimes, unfair. But what makes Luna shine is the hope for tomorrow because of the big steps we’re willing to make today. Soledad takes risks to find friendship and believe in her dreams, even if it complicates her life. And taking risks doesn’t always mean success, because Soledad didn’t always succeed - but taking risks does mean that you’ll grow to be the sort of person that can succeed, can find your friends, and can reach the moon. This production is informed by where we are, as a community, and who we are as a creative team. Because a strong majority of migrant workers in Utah are Mexican, Mexican-American, or of Mexican descent, that has informed the world in which Soledad finds herself. You might even recognize the Utah mountains in the backdrop of the set! But, at the same time, Soledad is an outsider in this world. In order to show this, Soledad and her family carry with them Costa Rican traditions and designs - informed by the cultural background of our director, Kris Peterson. This production has also been touched by many other Latinx backgrounds and identities - my own included. These design and story choices are expressions of our stories and experiences, but it doesn’t encompass all experiences. Luna isn’t just Mexican, Costa Rican, Guatemalan or Brazilian - but it holds the hearts of people who are. Because of that, we’ve chosen to give parts of our cultures to a story that can apply to anyone who’s ever felt alone. That doesn't mean that we’re limiting who we are, or who our audience is, either! In the end, Soledad doesn’t have to sacrifice who she is in order to make connections - she loves her books and astronomy, but learns to love fashion and food, too! In the same way, we can relate to the experiences of other people and celebrate what makes us unique.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=