Skip to main content
2013 - 2014 Season

Significance and Symbolism

by Lola Danielson, dramaturg

China is an ancient country built on ceremony and tradition. It is home to the Great Wall of China, the Forbidden City, and one of the oldest and largest imperial tombs with its army of Terracotta Warriors. It has been rocked by multiple wars and changes of power, beginning with the Xia dynasty around 2000 B.C. After World War II, the Japanese forces that occupied China were defeated, but civil war broke out among two political groups – the Kuomintang and Communist parties. In 1949, the Communist party had won control of China and the country became known as The People’s Republic of China – what we know it as today. The borders of China were closed at that time and reopened to tourists around 1972. Because of its long period of isolation from the rest of the world, China became a place of wonder and mystery, one that many nations still desire to explore today.

Because of its long standing history of traditions, there is a lot of symbolism in the culture. The way families interact with each other and with their community is steeped in tradition. Even the world around them holds meaning - the trees, flowers, and plants are said to have spirits that can help them if they respect them. Certain colors and animals are also symbolic. For example, the color yellow and the dragon were reserved for the emperor as symbols of his position and power. The Forbidden City, home to the emperor of China, is the only place in China you will see a building with yellow tiles on the roof.

In theatre, their movements are carefully planned as each hand gesture and arm position hold meaning. Because of the unique style of Chinese theatre and opera, it was an amazing opportunity for the cast of The Nightingale to go to China and train with the Peking Opera - to see and learn the different theatrical techniques. Some of the cast will share their pictures and experiences from their trip to China over the next few weeks, so keep an eye out for their stories.

One aspect of Chinese culture that plays a part in our production is the use of color. You may have been taught that all colors have meaning, and they do. However, colors can mean different things in different countries. The significance of each color is a little different in China than what we are used to in America. Here is a comparison of Chinese and American meanings of color. There are many different meanings for one color; these compare just some of the many meanings associated to the color.

Color Comparison

While creating the costumes and scenery for the show, the production team payed close attention to how color was used. While not all uses of color in the show follow Chinese tradition, they were conscious decisions. For example, in China, yellow was reserved just for the emperor and purple was meant for the empress. However, in order to create costumes that work with stage lighting and complement each other on-stage, some uses of color needed to be adjusted. The use of white as underclothing that can be seen on each character was intentional and meant to show human frailty and remind us that life is fragile and what we do with the time we have is important. So, while some liberties needed to be taken, there is still significance attached to the choices and the team preserved the Chinese meanings where they could.

So, while you enjoy the show, pay close attention to the symbols and colors you see. What does it mean? How do they help your understanding of the character and their actions? Everything has meaning, if you only know where to look.

Related Articles

data-content-type="article"

Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Microburst: Breathing Life into Plays

July 26, 2022 12:00 AM
Mikah Hansen practicing the play, Happy Holidays by Chelsea Mortenson The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Games and Activities Inspired by this Fishy, Wishful Tale (Part 2)

July 26, 2022 12:00 AM
The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=