According to the national poetry-reading contest, Poetry Out Loud, every line and word in a poem has meaning. This was confirmed during a visit from Kate Coombs to the actors of Water Sings Blue.If we can understand the tones and connotations of words, possible symbols, and moments of irony and humor, we will find meaning and new life in poetry.
Then, we can share that meaning and life with others. When reciting poems, clear diction is needed. Recitations should not be sing-song, but should express what meaning the reciter has found. Vocal inflections, breath, and tempo all are tools reciters can use, and were tools Water Sings Blue director Teresa Dayley Love focused on, when working with her cast.
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."