Sampling the Legacy of Sir Thomas More Skip to main content
2013 - 2014 Season

Sampling the Legacy of Sir Thomas More

by Adam White, dramaturg

What do Vladmir Lenin, Pope Pius XI and Bill Clinton all have in common?

Well, they’ve all had a run in with Sir Thomas More, in one way or another. Let’s take a look at three sites where the legacy of Thomas More intersected with the worlds of these men.

Site #1: Vladmir Lenin and the Obelisk of Alexandrovsky Gardens 

The year is 1918. We are in Alexandrovsky Gardens, Moscow.

This place is known as the first park built in the Soviet Union’s capital, and is a place of monuments and memory. In 1914, an obelisk is erected in Alexandrovsky Gardens as a celebratory monument to 300 years under the rule of the Romanov dynasty.

This year, though, the Bolsheviks are in power, and Vladmir Lenin decides to modify this monument to reflect the times. All traces of the Romanov dynasty on the obelisk are erased and replaced with a list of revolutionary socialist thinkers approved by Lenin.

Thomas More’s name is included. This is because Thomas More wrote a book called Utopia, published in 1516. In this work, More wrote of a fictional society that was ideal and good, but could never be achieved. In fact, the word ‘utopia’ was coined by More with this publication. It was More’s ideals for a communistic democracy that Lenin admired.

Just last year, the Russian government once again modified the obelisk. The list of thinkers has been erased, and the new obelisk celebrates the Romanov dynasty. The monument was unveiled November 2013.

Site #2: Pope Pius XI Canonizes St. Thomas More

An image of Pope Pius XI

The year is 1935. Europe is tense; Hitler is gaining power in Germany and the threat of totalitarianism feels very real. It is in this moment that the Catholic Church announces the canonization of Sir Thomas More as a saint.

St. Thomas More’s sainthood sends a powerful message to the world. He is a symbol of moral integrity and bravery in a very troubled time.

That being said, More’s elevation to sainthood isn’t all rosy; More was very involved in suppressing the Lutheran faith during his time. There were raids, burnings and even executions enacted by More with the goal of extinguishing the Reformationist spirit. Some would say that his resistance to the Lutheran faith bordered on madness.

Certainly an interesting intersection in history.

Site #3: Bill Clinton and His Impeachment Trial

An image of the proceedings during Bill Clinton's impeachment trial
Photo by KEYSTONE

It is January 14, 1999. It is the Impeachment Trial of President Bill Clinton and Congressman Henry Hyde makes the opening statement. And who does Congressman Hyde quote at the opening of the impeachment trial? None other than Sir Thomas More:

“As the playwright Robert Bolt tells it, More was visited by his family, who tried to persuade him to speak the words of the oath that would save his life, even while, in his mind and heart, he held firm to his conviction that the King was in error. More refused. As he told his daughter, Margaret, ‘When a man takes an oath, Meg, he’s holding his own self in his hands. Like water. And if he opens his fingers then – he needn’t hope to find himself again. . . .’ Sir Thomas More, the most brilliant lawyer of his generation, a scholar with an international reputation, the center of a warm and affectionate family life which he cherished, went to his death rather than take an oath in vain.”

Hyde then went on to stress to the Senators the gravity of the trial. No doubt Hyde meant to draw a comparison between the moral integrity of Thomas More and Bill Clinton.

Isn’t it fascinating that Bolt’s Thomas More now speaks for Thomas More?

Related Articles

data-content-type="article"

The Doomsday Clock

March 02, 2020 11:22 AM
As director of BYU’s production of Little Shop of Horrors, George Nelson wanted to provide a sense of foreboding, encouraging the audience to recognize the “flaxen cord” that Audrey II is in Seymore’s life without him knowing. The ominous ticking clock towering above the set creates this atmosphere and comes from science fiction tropes almost as old as the genre itself. The idea of the clock ticking away to destruction originated in 1947 by the Chicago Atomic Scientists (a group of researchers who worked on the creation of the first nuclear bomb used in World War II). “The Doomsday Clock” represented the time until the actions of mankind would end the world. The clock views a hypothetical man-made global catastrophe as midnight, and the minutes till midnight are measured by the Bulletin of the Atomic Scientists, which still exists to this day.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

The Doomsday Clock

March 02, 2020 12:00 AM
by Cameron Cox, Dramaturg As director of BYU’s production of Little Shop of Horrors, George Nelson wanted to provide a sense of foreboding, encouraging the audience to recognize the “flaxen cord” that Audrey II is in Seymore’s life without him knowing. The ominous ticking clock towering above the set creates this atmosphere and comes from science fiction tropes almost as old as the genre itself. The idea of the clock ticking away to destruction originated in 1947 by the Chicago Atomic Scientists (a group of researchers who worked on the creation of the first nuclear bomb used in World War II). “The Doomsday Clock” represented the time until the actions of mankind would end the world. The clock views a hypothetical man-made global catastrophe as midnight, and the minutes till midnight are measured by the Bulletin of the Atomic Scientists, which still exists to this day. When the clock was first invented, 13 years before the original Little Shop of Horrors film was written and directed by Roger Corman, changes in time directly correlated to the nuclear developments and concerns that the Bulletin had at the time. These concerns are evident in the development of western science fiction and traces of them can be found in both the original Little Shop of Horrors as well as the musical adaptation Menken and Ashman wrote 20 years later. But Little Shop’s relationship to the clock has become more poignant in the past decade in ways that Corman, Menken, Ashman, or even Frank Oz (who adapted the musical to a second filmed version in 1986) could have anticipated. In 2015 the Bulletin of Atomic Scientists expanded the criteria of what contributed to the clock moving closer to midnight to include concerns regarding climate change. In the past five years, the clock has moved from three minutes to midnight steadily closer, with the Bulletin announcing earlier this year that the clock was the closest it’s ever been to midnight, 100 seconds. Audrey II represents a trend in fiction of the natural world fighting back against mankind's mistreatment of it. From Audrey II in Little Shop, to the Whomping Willow in the Harry Potter series, to the Batman villain Poison Ivy, to Annihilation written and directed by Alex Garner in 2018, the concept of plants/nature beginning to fight back against mankind's mistreatment of them has been a trend that Little Shop of Horrors did not intend to start but has become one of the most classic examples of.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Little Shop of Horrors Through the Years

February 26, 2020 12:00 AM
An awkward florist, a budding relationship, a sociopathic dentist, a carnivorous plant with a craving for human flesh; these iconic characters bring one story to mind. Little Shop of Horrors has become one of the most popular musicals for high school and local community theatres. A lesser-known fact about this popular stage show was its source material, a 1961 dark comedy by the same name, directed by the “King of B Movies” Roger Corman. Beginning with this film and spanning 26 years, three notable adaptations were made, each with its own unique alterations to the material, offering insight to the cultural landscapes of the decade in which each was made. The story of Little Shop of Horrors has taken the form of a dark comedy horror film, an incredibly successful and lucrative Broadway musical at the beginning of the long careers of Howard Ashman and Alan Menken, and the popular cult classic film directed by Frank Oz starring Rick Moranis and Ellen Greene.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=