Phase Two: The Workshop Skip to main content
2019-2020 Season

Phase Two: The Workshop

An image of two spotlights

by Samantha Baird, Dramaturg

Before a show can be fully produced there are a couple more steps to production that a playwright may want to take. These steps allow the playwright to see their work performed in different stages so that they can make any desired changes before having a fully mounted show produced. The three most basic steps are a public reading, a workshop production, and a fully mounted show. Rump: The Musical, is in its workshop stage for this production.

A concert reading is when the cast of the show simply reads from the script on stage adding vocal acting and intonations, but not moving around the stage. Usually, chairs and music stands will be present for the actors on stage. In a concert reading, there are no costumes, no lighting or sound effects, no set, and no props. The rehearsal process for a staged reading is minimal: days, or maybe a couple of weeks. The point of a concert reading is to just hear the words spoken on stage.

A workshop production is only slightly more involved than a concert reading. Similar to a concert reading there are no costumes, no lighting or sound effects, and no set. There may be, however, a few props to help tell the story. A workshop production allows the playwright to see the dramatic action on stage and how action takes place. A workshop rehearsal process can be anywhere from a couple of weeks to a month or two depending on the size of the show. This is what you can expect to see at Rump: The Musical.

An image of blue and white spot lights

Finally, a fully mounted show is what most (if not all) people think of when they think of going to see a play or musical. In a fully mounted show, there are hair/makeup and costume designs, full lighting and sound effects, a set or backdrop designed for the specific needs of the show, and as many props as seen necessary by the script and the director. At this point, the playwright feels comfortable that their script is ready to be a full show and a producer has agreed. This rehearsal process can be a few months to a few years depending on if it is being produced at a community theatre level or a professional theatre on Broadway or the West End. Seeing their show fully produced is usually a goal for playwrights. Who knows what’s next for Rump: The Musical? We’ll just have to wait and see.

Related Articles

data-content-type="article"

Anti-Racism References: Listen, Learn, Love, Action

February 23, 2022 11:50 AM
References compiled in connection with the BYU Contemporary Voices Reading of The Thanksgiving Play by Larissa FastHorse.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Just Ask

February 23, 2022 11:27 AM
Being a white woman, I have no place to make commentary on Native American/Indigenous People’s lives and their culture. So work on this production was very hard to approach because we needed the points of view that the characters strive for in the play but we needed actual resources. Through The Tribe of Many Feathers and some other connections, I was able to find Cheyanne Elton who is of Navajo descent, dancing in the Living Legends Native American Section (with a minor in American Indian Studies), and Naabaahii Tsosie who is also of Navajo descent. He is the previous President of the Tribe of Many Feathers at BYU, and he also travels the world dancing Native American dance. Both were able to come and were willing to talk with the cast about their families and their connections with the culture. After the cast did some research and sent me questions for the special guests, Cheyanne and Naabaahii were prepared to share their perspectives. They both have connections with the Navajo tribe and were very willing to talk about their experiences as well as their families’ experiences, jobs on reservations, experiences they’ve had with racism, and their thoughts on representation. They answered many hard questions.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Cast and Creative Team List

February 19, 2022 12:07 PM
BYU College of Fine Arts and Communications School of Music Presents
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=