<h6 style="text-align: center"> <a href="http://4thwalldramaturgy.byu.edu/wp-content/uploads/2017/11/20171102_193817_Burst01.jpg"><img class="size-medium wp-image-6305 aligncenter" src="http://4thwalldramaturgy.byu.edu/wp-content/uploads/2017/11/20171102_193817_Burst01-206x300.jpg" alt="" width="206" height="300" /></a>Mikah Hansen practicing the play
Mikah Hansen practicing the play,
Happy Holidays by Chelsea Mortenson
The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
Clara Richardson and Mikah Hansen, both BFA acting majors at BYU, shared their thoughts of being actors in Microburst. “The best part of working with new plays is the freshness of the material! They're not stories I've heard over and over before or performed in multiple times.” Hansen said as she discussed debuting these new plays for audiences. Richardson agreed, “ I have been learning a lot about how to create a character for the first time as an actor. None of the characters in these scripts have ever been portrayed on stage and we only have ten minutes to create a character the audience can relate to”.
Jacob Khali, Clara Richardson, and Ren Cottam
practicing the play Untapped by Rylee Witbeck
Besides the fact that these are new plays, the actors also have to perform as multiple characters throughout the show. “ It is a smaller cast which is fun and each of us are playing anywhere from 2-4 characters,” Richardson explained, “…we need to make each of them very different so we aren't just playing the same character every time.” Hansen also added to the difficulty of portraying more than one character, “Microburst is different than other productions I've been in because it involves so many different stories. Normally, you're only performing one show as one character, but Microburst requires actors to play multiple parts in multiple shows--sometimes back to back.”
Performances will be held at the Nelke Experimental Theater at the Harris Fine Arts Center onNovember 2 through December 2 at 7:30, with a matinee on December 2 at 2:00. Tickets are available at the box office.
Being a white woman, I have no place to make commentary on Native American/Indigenous People’s lives and their culture. So work on this production was very hard to approach because we needed the points of view that the characters strive for in the play but we needed actual resources. Through The Tribe of Many Feathers and some other connections, I was able to find Cheyanne Elton who is of Navajo descent, dancing in the Living Legends Native American Section (with a minor in American Indian Studies), and Naabaahii Tsosie who is also of Navajo descent. He is the previous President of the Tribe of Many Feathers at BYU, and he also travels the world dancing Native American dance. Both were able to come and were willing to talk with the cast about their families and their connections with the culture. After the cast did some research and sent me questions for the special guests, Cheyanne and Naabaahii were prepared to share their perspectives. They both have connections with the Navajo tribe and were very willing to talk about their experiences as well as their families’ experiences, jobs on reservations, experiences they’ve had with racism, and their thoughts on representation. They answered many hard questions.
In honor of 4th Wall Dramaturgy, here’s a quick Q &A with members of the Opera Team for the Dreams and Nightmares Opera Scenes. Scroll down to learn about our team!
