Skip to main content
Test

Until Next Time, Microburst

by Holly Mancuso, dramaturg

MicroburstTheatreFestival_web_580x200

After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"]

The Microburst lobby display

The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name  

Related Articles

data-content-type="article"

’80s Song Titles, Answer Key

January 29, 2022 06:14 PM
Have you read the study guide in the playbill for As You Like It? Did you notice the page titles sounded like familiar ’80s pop songs? Do you remember the artist/band who performed them? Read on below if you want to see which ones you remembered correctly!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Why Do Fools Fall in Love?

January 28, 2022 06:30 PM
I looked across the room. Standing there, holding a cup, was the most beautiful person I’d ever seen. They looked up and caught my eye and I knew immediately—I was in love.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Fiddler on the Roof: Balancing Yesterday and Today

January 21, 2022 06:49 PM
If Anatevka is like a fiddler balancing on a roof, then the show Fiddler on the Roof also performs an impressive balancing act between its cultural specificity and enduring appeal. Whether or not audiences can relate to the practice of arraigned marriages in Orthodox Ashkenazi Jewish communities, they can understand the tension between personal desire and the social expectations around marriage. The relatability of Tevye’s world—made of hay and cows but also the love of family and dreams of wealth—stems from its timelessness. As a show that premiered 78 years ago and takes place half a century before that, Fiddler on the Roof’s greatest feat is that time does not chip at its relevance.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=