Skip to main content
2012-2013 Season

Obscure Cultural References-Everyone a Dramaturg!

by Bianca Morrison Dillard, dramaturg

Every play is a product of a specific time and place and has references specific to that cultural milieu

magnifyingglass4-1.jpeg

As a dramaturg, these “little” references can prove especially difficult if the lingo from the time your play was set has not been carried down, or if it’s not something that was commonly enough referenced for the explanation to be written down.

And, unfortunately, so far, nobody’s put together The Complete and Annotated Works of Philip Barry (I guess he’s not as famous or important as Shakespeare), so all we have is the text itself, which means we have to look elsewhere to decode cultural references that are lost on us today. Below I’ve listed a few cultural references we were able to find enough clues to make sense of. My hope is that they will enrich your understanding of the play as you view it as much as it has enriched our experience in production.

But, the thing is, I’m stuck on a couple of things–and here’s where you can help. I’ve listed a few phrases that we were unable to find a definitive context for. If you have any ideas, please think about putting on your dramaturg hat and helping us out. After all, we live in the age of social media and needn’t be limited to the combined knowledge of a single production team. You can be a dramaturg!

Cultural references we were able to find clues to uncover their context:

“Dan to Beersheba” is a phrase used in the Hebrew Bible to refer to the Israelite nation–from Dan, at the Northernmost tip of the settled area, to Beersheba at the southernmost end.

“Hammacher Schlemmerr” was the first national hardware store in the US and holds the record for oldest continuously published catalog in the United States. See if you can spot the joke in the second act that relies on our knowledge that Hammacher Schlemmer is a hardware store and not a fashion designer.

“Grant took bourbon” Most people know that General Ulysses S. Grant loved his liquor. What we discovered is that his preferred drink was bourbon. He was especially fond of “Old Crow.”

References that, even with our combined wisdom, Google, and scholarly searches, still remain a mystery:

“ashman’s touch” One of the characters refers to another who ruins a party by taking it over as having the “ashman’s touch.” It’s not capitalized, leading us to believe it isn’t in reference to a specific person. Is he simply referring to someone who cleans chimneys and would have soiled things had he or she touched them? Or is there something we are missing? Have you heard or used this phrase? Have you read anything else with this phrase?

“Russian L” The line is “If you are so set on being violent get a few Russians in and talk life with a great big L.” Could the character be talking about Lenin? Is his name too horrible to be uttered and must be abbreviated? Was Lenin ever referred to as the big L, or just L?

So, my newly dubbed social media dramaturgs, have you got any ideas? Please share your thoughts, clues, and insights below in the form of a comment. Please take the time to help us follow your trail by including the reference that uncovered the information, even if it’s as simple as, “My grandma used to say that.”

Thank you and good luck!

Related Articles

data-content-type="article"

Julius Caesar Dramaturgy Resources

November 10, 2021 09:00 AM
2021-2022 SEASON, JULIUS CAESAR by Shelley Graham, dramaturgy supervisor
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Elizabethan England

November 09, 2021 01:21 PM
I know I have but the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England too.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Historical Time Periods of Julius Caesar

November 08, 2021 12:00 AM
by Emme Corbett, dramaturg As a senior student studying history at BYU. One of the first concepts you learn as a history major is that when you study history, it is vital that you do not bring your modern-day biases with you. As strange as some past behaviors or occurrences may be to our modern eyes, understanding the reality of what life was like in historical societies allows for a more authentic and rich study of the past. It also becomes evident fairly quickly that no matter what point in time you’re studying or where you are in the world, there will be commonalities across many cultures. The shared similarity of the human experience allows these connections to occur, so it is no surprise that researching various time periods could be related back to Caesar in Ancient Rome. It was necessary in our dramaturgical research to explore three major time periods that are encompassed within this play in one way or another. These time periods are first, 49 B.C. Rome, when Julius Caesar first became a dictator of Ancient Rome, and the setting for the original script. Second, 1599 England, when William Shakespeare’s Julius Caesar was first performed, most likely at the Globe Theatre. And third, 1919 Italy, when Italy was recovering from participating in the First World War, and the setting for our performance at BYU. This weakened state created a situation where authoritarianism could ensue. It was an interesting experience to be able to connect the culture of Ancient Rome to that of Italy in the early 20th century. The reason for choosing this production of Julius Caesar to take place in 1919 Italy is not random. The significance of that time period is to draw upon the reality that history repeats itself. An aspect of history that is repeatedly detrimental to countless societies is when a group of people finds itself weak and vulnerable--whether that is due to lack of resources, a change in leadership, exiting a war, or simply evolving generations--and a power vacuum is created. This moment in time when desperation allows for someone to assume leadership (based purely on the need to rely on anybody) and provide temporary relief is often too quickly turned into an authoritarian government. The third time period that we also had to account for in this production was the time of Shakespeare in 1599 England. Some of the questions we had to ask ourselves were: Why Julius Caesar? What elements from the story of Caesar’s assassination did Shakespeare feel would resonate with his audience? From these questions and further research on the Elizabethan period, we discovered that, like in 1919 Italy, there was a concern with the succession to the Crown. Queen Elizabeth I was on the throne at the time and created conflict among the people beyond her just being a woman in power. Queen Elizabeth never married and subsequently never bore any children, thus failing to secure a successor who was in her direct line. Another element of the play that related to Shakespeare’s audience was the role of the plebeians. Their behavior in the play could symbolize how the lower class in the Elizabethan Era, while uneducated and changeable, contribute largely to the success of their society.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=