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2012-2013 Season

Obscure Cultural References-Everyone a Dramaturg!

by Bianca Morrison Dillard, dramaturg

Every play is a product of a specific time and place and has references specific to that cultural milieu

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As a dramaturg, these “little” references can prove especially difficult if the lingo from the time your play was set has not been carried down, or if it’s not something that was commonly enough referenced for the explanation to be written down.

And, unfortunately, so far, nobody’s put together The Complete and Annotated Works of Philip Barry (I guess he’s not as famous or important as Shakespeare), so all we have is the text itself, which means we have to look elsewhere to decode cultural references that are lost on us today. Below I’ve listed a few cultural references we were able to find enough clues to make sense of. My hope is that they will enrich your understanding of the play as you view it as much as it has enriched our experience in production.

But, the thing is, I’m stuck on a couple of things–and here’s where you can help. I’ve listed a few phrases that we were unable to find a definitive context for. If you have any ideas, please think about putting on your dramaturg hat and helping us out. After all, we live in the age of social media and needn’t be limited to the combined knowledge of a single production team. You can be a dramaturg!

Cultural references we were able to find clues to uncover their context:

“Dan to Beersheba” is a phrase used in the Hebrew Bible to refer to the Israelite nation–from Dan, at the Northernmost tip of the settled area, to Beersheba at the southernmost end.

“Hammacher Schlemmerr” was the first national hardware store in the US and holds the record for oldest continuously published catalog in the United States. See if you can spot the joke in the second act that relies on our knowledge that Hammacher Schlemmer is a hardware store and not a fashion designer.

“Grant took bourbon” Most people know that General Ulysses S. Grant loved his liquor. What we discovered is that his preferred drink was bourbon. He was especially fond of “Old Crow.”

References that, even with our combined wisdom, Google, and scholarly searches, still remain a mystery:

“ashman’s touch” One of the characters refers to another who ruins a party by taking it over as having the “ashman’s touch.” It’s not capitalized, leading us to believe it isn’t in reference to a specific person. Is he simply referring to someone who cleans chimneys and would have soiled things had he or she touched them? Or is there something we are missing? Have you heard or used this phrase? Have you read anything else with this phrase?

“Russian L” The line is “If you are so set on being violent get a few Russians in and talk life with a great big L.” Could the character be talking about Lenin? Is his name too horrible to be uttered and must be abbreviated? Was Lenin ever referred to as the big L, or just L?

So, my newly dubbed social media dramaturgs, have you got any ideas? Please share your thoughts, clues, and insights below in the form of a comment. Please take the time to help us follow your trail by including the reference that uncovered the information, even if it’s as simple as, “My grandma used to say that.”

Thank you and good luck!

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Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
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