Migrant Worker's Movement and Migrant Theatre Skip to main content
2021-2022 Season

Migrant Worker's Movement and Migrant Theatre

utahfarmworker-300x190.jpg

Seasonal farm labor is historically under-protected and under-compensated. Attempts to organize in the 1930s and 1960s have made great strides for modern workers, but there’s still work to be done in protecting and fairly treating the backbone of American agriculture.

Often, migrant and seasonal workers are from marginalized communities, and many are in the United States on work/visa programs or are undocumented. This makes the road to equitable labor difficult and highly politicized.

The Migrant Farm Worker’s Movement

In the 1960s, amongst other demands for racial equality and labor rights, the Migrant Farmworker’s Movement began to take shape. Spearheaded by various labor unions and organizations, the movement worked to gain safer conditions, worker protections, and fair compensation. However, the movement wasn’t a homogenous one. Other migrant workers with roots in the Philippines, growers and workers of Japanese descent, and many other disparate groups allied and clashed in the fields and in the picket lines. Because ethnic divides often followed along union lines, much work had to be done to unite workers in a single cause and message.

*Learn more about diverse perspectives within the migrant worker’s movement below!

One of the most notable organizations was the United Farm Workers – which was, at the time, called the National Farm Workers or National Farm Workers Association. A major tool in their efforts to organize workers (Especially Mexican-American, or Chicano, workers) was through El Teatro Campesino.

Migrant Workers and Theatre

Founded by Luis Valdez, El Teatro Campesino was an extension of the United Farm Workers– the actors, sets, and props traveling with the migrant workers and strikes. It used culturally specific humor, storytelling, and political concerns to engage workers and make them aware of the need to organize. El Teatro Campesino has become a staple of the Migrant Workers and Chicano movements.

Related Articles

data-content-type="article"

Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Study Guide for The Cherry Orchard

March 11, 2025 10:53 AM
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=