Skip to main content
2017-2018 Season

Microburst: The Playwright's Imagination

by Andrew Justvig, dramaturg

Theatre is a place of discovery. Some call it an escape. Others may call it a sanctuary from the world. Whatever you call it, the credit for the escape from reality into fiction belongs to the artists that make a stage into a portal to the imagination. Actors, directors, and designers are often the face of theatrical presentations. (They do deserve credit!) However, they too are subject to the imagination of another; they wouldn’t be able to express their talents without the divine creators of plays, musicals, and operas. Who are these "gods" of creation in the theatrical world? They are none other than the playwrights!

At Brigham Young University, the Theater and Media Arts Department’s latest production is all about honoring and showcasing playwrights. Microburst Theatre Festival is a unique opportunity where student writers have a chance to see their work performed. It's a rarity for beginning playwrights, but under the direction and mentorship of BYU Professor, George Nelson, they are given the experience of workshopping their 10-minute plays with actors as they prepare for performances.

This is the fourth Microburst Festival performed at BYU, and the third Nelson has directed. This year Microburst will feature plays by Chelsea Mortenson, Jessica Holcomb, Rylee Witbeck, Alyssa Aramaki, and Brittni Henretty, whose play, Game Four, won first place in its division at the 2016 Kennedy Center American College Theatre Festival. Performances will be held in the Nelke Experimental Theater at the Harris Fine Arts Center, November 30 through December 2 at 7:30pm, with a matinee on December 2 at 2:00. Tickets are available at the HFAC box office, or by visiting arts.byu.edu.

Related Articles

data-content-type="article"

Dramaturgs' Note: Celebrating Christmas Around the World

December 03, 2021 12:00 AM
Rejoice, we’re back in person. Rejoice, the semester is almost over. Rejoice, that your family member is coming back to health. Rejoice, Jesus wins in the end. Whatever it is, rejoice. The theme of Christmas Around the World this year is Rejoice. But rejoicing isn’t always joyful. Just as Adam and Eve had to learn joy from pain, good and bad often go hand in hand. So while we celebrate this Christmas season, let’s reflect back on what we’ve had to experience to help us rejoice. In this modern day and age, the pain and hardship we see with the Covid-19 pandemic have affected us all. The announcement of a global pandemic, and finally the world moving forward, has been a major part of our history. March 12, 2020, will forever be remembered by many as the day Brigham Young University shut down and everyone left. Not knowing what the future would hold or how long the hardships were going to last, we pushed forward. The pandemic remained dominant and still rages on. With the 60th anniversary of Christmas Around the World being postponed, we learned even more what that pain can do to foil our joy and rejoicing.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

The Role of Women in Julius Caesar

November 11, 2021 12:45 PM
History has not always been kind to women. Because of the hierarchy of sexes, women haven’t always found their way into the history books. Imagine all the incredible stories and personalities we have missed because of that. In our world, men are often seen as strong, hard-working, and never ruled by emotions, while women are gentle, highly emotional, and ruled by men. Many of Shakespeare’s plays deconstruct gender norms and allow for fluidity, not caring too much for strict gender roles. He has shown this with a few of his plays, such as Twelfth Night and As You Like It. Although the original Julius Caesar does not play with gender-swapping, we’d like to think Shakespeare would have been on board with this BYU production.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Julius Caesar Dramaturgy Resources

November 10, 2021 01:01 PM
This project is multiple years in the making, having been initially proposed for the BYU 2020-21 season. Originally, it was going to be my project as a faculty dramaturg. And I began working on a script adaptation that would feature women and build a more gender-neutral world in which both men and women would hold power. The pandemic forced a postponement for a year, and I paused my work on an adaptation.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=