by Kristen Leinbach, Dramaturg
As we move from discussing the original novella of The Light in the Piazza, to discussing the musical, Craig Lucas will be our first stop as the award winning playwright. Throughout his career he has received honors that range from a 1989 Drama Desk Award for Outstanding New Play, to a Tony Award for Best Play. Most recently, in 2005, he received a nomination for the Tony Award for Best Book of a Musical for non-other than The Light in the Piazza.[1]
[caption id="" align="alignright" width="198"] Craig Lucas[/caption]
While Piazza was in production at Washington D.C.'s Arena Stage, Lucas stated that, “having lived with and within the worst excesses of reactionary America, [he] considers himself the luckiest man alive to be able to express himself.”[2]
Born on April 30th, 1951 Lucas was found by police in a parked car across from a gas station in Atlanta, Georgia. The acclaimed playwright came from an unconventional background as his unwed teenage mother gave birth to him at a hotel with only her mother there as comfort. She placed Lucas in a parked car and after calling the police waited for her baby to be safely taken to a local hospital.[3]
Lucas was adopted by a couple living in Pennsylvania where he grew up already beginning to enjoy performance and the theatrical world. As a child he would write his own scripts for performances he would give as a puppeteer and a magician.[4] He continued to practice the dramatic arts as he attended Boston University studying theatre and creative writing. After graduating and throughout his twenties he supported himself by performing in the choruses of a number of Broadway plays which also allowed him time to begin cultivating his talents as a playwright.[5]
Throughout his career Lucas has written countless books, screenplays, and theatrical plays including the award winning musical, The Light in the Piazza. We look forward to bringing the eloquent language and story of The Light in the Piazza to life on stage as we have the opportunity to share Craig Lucas’ written work with you!
By Abram Yarbro and Holly Mancuso Microburst Theatre Festival opened last week, and it has been great to have an audience. As Lee Hall explained in an interview, "Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else."
If you’d like to learn more about The Magic Flute, this “cheat sheet” will help you! Click on the links below for more information about the opera, as well as the Brigham Young University production, running October 22-26, 2019.
By Amelia Johnson, assistant dramaturg World War I had drastic consequences. Many had lost family members and friends in battle. Those who fought in the battle and survived were affected emotionally if not physically. As a result of of fighting in the war 250,000 soldiers suffered a full or partial amputation. The generation who had just missed the age of being drafted felt extremely lucky. Seeing so many die from the war and Spanish influenza in such a small time period made everyone very aware that life is short. This impacted the younger generation. They felt the need to live life to the fullest for themselves and for those who no longer had the chance to. [caption id="attachment_5293" align="alignnone" width="300"] An extravagant party thrown with the spirit of the Bright Young Things.[/caption] With this sentiment, the Bright Young Things or the Bright Young People became an active group in society. Wealthy young aristocrats and socialites, the Bright Young Things rebelled against the values that they and their parents had been brought up with so that they could enjoy living. Their parent’s values had done nothing to protect them from the terror that the war had brought, so what was the purpose in playing by the rules? Life was mean to be enjoyed. [caption id="attachment_5291" align="alignnone" width="243"] A waiter experiences shock as a young woman publicly smokes a cigarette.[/caption] The Bright Young Things threw elaborate parties and participated in car races and treasure hunts. They also drank, smoke, and used drugs. Concerned only with what was fun, they gave no thought to what was proper. Their behavior caught the attention of journalists who were very interested in reporting their wild antics to the public. It is with the Bright Young Things that paparazzi originated, as reporters would follow individuals from this group of young people to get a good stories. Because of how much these individuals appeared in the press, many of the names of the Bright Young Things are still known to this day. [caption id="attachment_5289" align="alignnone" width="217"] Nancy Mitford. One of the known Bright Young Things who later became a novelist.[/caption] As you watch Chariots of Fire, pay attention to behaviors that may be associated with the Bright Young Things. In comparison, Harold and Eric were a little different then the young people at this time. Both found their fun in running and focused their efforts on this. Eric also found joy through the religious work he did. These men seized the day in their own way.