by Kristen Leinbach, Dramaturg
As we move from discussing the original novella of The Light in the Piazza, to discussing the musical, Craig Lucas will be our first stop as the award winning playwright. Throughout his career he has received honors that range from a 1989 Drama Desk Award for Outstanding New Play, to a Tony Award for Best Play. Most recently, in 2005, he received a nomination for the Tony Award for Best Book of a Musical for non-other than The Light in the Piazza.[1]
[caption id="" align="alignright" width="198"] Craig Lucas[/caption]
While Piazza was in production at Washington D.C.'s Arena Stage, Lucas stated that, “having lived with and within the worst excesses of reactionary America, [he] considers himself the luckiest man alive to be able to express himself.”[2]
Born on April 30th, 1951 Lucas was found by police in a parked car across from a gas station in Atlanta, Georgia. The acclaimed playwright came from an unconventional background as his unwed teenage mother gave birth to him at a hotel with only her mother there as comfort. She placed Lucas in a parked car and after calling the police waited for her baby to be safely taken to a local hospital.[3]
Lucas was adopted by a couple living in Pennsylvania where he grew up already beginning to enjoy performance and the theatrical world. As a child he would write his own scripts for performances he would give as a puppeteer and a magician.[4] He continued to practice the dramatic arts as he attended Boston University studying theatre and creative writing. After graduating and throughout his twenties he supported himself by performing in the choruses of a number of Broadway plays which also allowed him time to begin cultivating his talents as a playwright.[5]
Throughout his career Lucas has written countless books, screenplays, and theatrical plays including the award winning musical, The Light in the Piazza. We look forward to bringing the eloquent language and story of The Light in the Piazza to life on stage as we have the opportunity to share Craig Lucas’ written work with you!
The creative team began working on this production a little more than a year ago. In my role as production dramaturg, I was happy to create a website of resources first for the creative team, and then when we went into rehearsals, for the cast. And now that we are opening the show, the resources offer valuable perspectives to our audiences as well.
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”