Meet the Musical Composer and Lyricist-Adam Guettel
August 20, 2013 12:00 AM
<p style="text-align: left;">Kristen Leinbach
by Kristen Leinbach, Dramaturg
“This is wanting something, This is reaching for it, This is wishing that a moment would arrive, This is taking chances...This is praying for it, This is holding breath and keeping fingers crossed, This is counting blessings, This is wondering when.”[1]
- Clara Johnson
Clara Johnson begins her journey in Italy feeling out of place in a world that seems to make sense. She states “I don’t understand a word they’re saying. I’m as diff’rent here as diff’rent can be, but the beauty is I still meet people like me.”[2] Although lost in an Italian culture with expectations she isn't sure that she can meet, Clara maintains her desire to discover, to explore, and to achieve her dreams.
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Adam Guettel[/caption]
Although Adam Guettel, the musical composer for The Light in the Piazza, began composing when he was fourteen, as a teenager in reference to musical theatre he also thought "I'm not going to have anything to do with that lame, fairy-tale, unsophisticated, boring, clunky old art form."[3] But musical theatre ended up becoming the path he chose. He later stated "I knew it would just be a terrible idea to try to make a career in musical theatre, but the excitement of realizing I had the ability to tell stories through music became impossible to resist.[4]"
Adam Guettel was born in 1964 and is the son of Mary Rodgers and Henry Guettel.[5] If you think the last name Rodgers sounds familiar, then you are correct. Adam Guettel grew up playing music for his grandfather, Richard Rodgers of Rodgers and Hammerstein. Regarding his grandfather Adam Guettel stated "He was practically on his deathbed. I played to him through the bedroom wall, and he told me he liked what he heard. But that was all the advice he was able to give."[6]
Many of us have heard the beautiful music found in Oklahoma!, The King and I, and The Sound of Music, all written by Richard Rodgers and I am here to inform you that the music written by Richard Rodgers grandson in The Light in the Piazza will not disappoint. In regards to The Light in the Piazza, Guettel stated "I wanted to write a love story, because I hadn't found love when I wrote it and needed a vessel to pour all that energy into. There are melodies that are directly inspired by my grandfather – but I also wanted to incorporate the romantic language of Liszt and the orchestral colours of Ravel. They're my go-to guys for that kind of sumptuous harmony."[7]
As the composer for The Light in the Piazza, Adam Guettel earned two Tony awards in 2005 for Best Score and Best Orchestrations.[8] Regardless of all of his successes Guettel has still stated "Three of four times, after a period of high exposure and accolade, I have had a period of anguished paralysis and fear. And only by feeling forgotten do I find myself again and start to really focus and work."[9]
In a world full of so many talented and wonderful people, it is easy to feel as if we have been forgotten or lost. There is always something or someone else to live up to, but as Clara states “the beauty is I still meet people like me.” The Light in the Piazza captures the fairy-tale like reality that we can experience throughout our lives as the ordinary can become extra-ordinary if we are willing to open our eyes, dream and fight for what we believe in.
Adam Guettel stated "I only ever had one dream about my grandfather. I was pursuing him across a lobby in New York as he was about to get into an elevator. I wanted to ask him if he thought I was any good. He looked at me and said, 'You have your own voice.' Then the doors closed and he was gone."[10]
We invite you to join us in the fall to experience this beautiful musical that captures how each and every one of us is an important individual and like Adam Guettel, has the ability to find your own voice.
[1] Lucas, Craig. The Light in the Piazza. 19.
[2] Lucas, Craig. The Light in the Piazza. 19.
[3] Staff of American Theatre Magazine, The American Theatre Reader (volume 2 of 2): Essays and Conversations from American Theatre Magazine (publication place: ReadHowYouWant.com, 2010), 423.
[9] Staff of American Theatre Magazine, The American Theatre Reader (volume 2 of 2): Essays and Conversations from American Theatre Magazine (publication place: ReadHowYouWant.com, 2010), 438-439.
Mikah Hansen practicing the play, Happy Holidays by Chelsea Mortenson The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!