The Suffrage team has been working hard to bring you a stellar audio-drama performance this week. Below, you can meet our crew!
Emily Trejo, Director
Emily is a Senior studying Theatre Education with minors in TESOL and Family Life. She has had the opportunity to work on a handful of shows here at BYU that has helped further her interests in Directing and Dramaturgy. Aside from a life in theatre, Emily has also founded a mariachi band, Mariachi Montes Azules, that has also experienced lots of growth in the last few months. She is grateful to her husband, Dravyn, who has helped keep her sane during the semester.Tiffany Gibbons, Sound Designer and Foley Artist
Tiffany is a Senior in the Theatre Education program from Cedar Hills, UT. Passionate about music and movement, Tiffany hopes to teach in elementary schools and advocate for the use of the arts in general classrooms. This is such a beautiful and impactful show, and she is so grateful to have had the chance to help tell this story! Sending blessings to artists, teachers, storytellers, and Mothers everywhere during this trying time!Becca Christiansen, Hair and Makeup Designer
Becca has always had a love for hair and makeup and has been a cosmetologist for 7 years. She graduates this semester and can't wait to be able to spend more time with her husband and baby once she does. She stays busy with taking care of her family, cutting hair, and running her own boutique. Claire Eyestone, Costume Designer and "Frances"
Claire Eyestone is a senior studying theatre education and English teaching. Recent credits include Amy in Charley's Aunt at the HCTO, Adriana in Comedy of Errors, and assistant directing Little Shop of Horrors at BYU. She's loved getting to both design and act in this production.
Juniper Taylor, "Ruth"
Juniper Taylor is a junior in the BFA Acting program. She has played many roles from Lucifer in Dr. Faustus to Hodel in Fiddler on the Roof. She would like to thank Emily and the production team for working so hard on a story she’s grown to love. And she would like to thank Ruth for teaching her that strong, independent women can change the world. Samantha Daynes, Dramaturg
Samantha is a senior from Singapore studying theatre education. She is the great-great-great granddaughter of Wilford Woodruff, and has loved the opportunity to understand more about the lives of the early Saints. Acting credits include BYU's Hamlet and Comedy of Errors, and she read stage directions for Suffrage when it premiered at BYU's Contemporary Voices Festival. She has also worked as a set and costume designer, as well as a full-time position on the run crew at Moonlight Amphitheatre in Vista, CA, and hopes to continue her education in many aspects of theatre.Lisa Eardley, Assistant Dramaturg
Lisa is a Senior from Elko, NV. She will graduate this semester with her degree in Theatre Arts with an emphasis on costume design. She has been the costume designer for the Silver Stage Players and the Overland Stage Theatre Company in Elko for several productions including Joseph and the Amazing Technicolor Dreamcoat, White Christmas, and Cinderella.
Before a show opens its doors to audiences, before there are costumes and props, before sets are built and actors are cast, it starts simply as an idea. This idea is known as the ‘director’s concept,’ which a director presents to the designers at the show’s first production meeting. After that, it is the designers’ job to transform that concept from an abstract idea to a physical manifestation that can be seen onstage.
One of the great things about working as a production dramaturg is the time spent in rehearsal working with the actors. For this production of 12 Angry Jurors, we spent quite a bit of time exploring the world of the play. To help the actors interact with the courtroom drama world of Boston in 1953, we created a dramaturgical website for the actors. We put a link to this website on QR codes that were printed and hung throughout the rehearsal space, so that the actors could have access to the website at any time.
One of the first things many people think of when they hear the word Christmas is gifts. Gifts and Christmas have been interchangeable for a very long time in our world’s history. But over time, what people think of as gifts has shifted. Each new era or generation defines it differently. There were monetary gifts such as gold, frankincense, and myrrh in the days of Christ, when all things were handcrafted and only the wealthiest of people could have precious ore or spices from distant lands. Or perhaps, during the great wars of the twentieth century, a gift of war bonds was precious when patriotism and the survival of the world made things like toys seem trivial to many. Now, everyone wants the latest iPhone or the newest technology. Throughout our lives, what we want also changes. Gifts shift from toys, games, and candy to technology or clothes–all inconsequential things that provide short-term entertainment. However, all of these things fade and have less impact on our true joy. Joy can really be found in the simple things of life.
