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2013 - 2014 Season

Meet the Cast - Ted Bushman as Signor Naccarelli

by Kristen Leinbach, Dramaturg

One of the most important relationships in this life is that between a family.  In The Light in the Piazza we have the opportunity to experience the love and relationships found between many different types of families.  Signor Naccarelli is the head of the Naccarelli's household and Fabrizio father.  In BYU's production of Piazza Teb Bushman is portraying Signor Naccarelli and he shared the following,

Ted

"My name is Ted Bushman.  I am a Senior MDT major from Pittsburgh, Pennsylvania, and by night I am a playwright and composer too.  My favorite stuff I've done while at BYU includes putting on my first play, Fontanelle, which Scott Eckern directed, and composing a score for The Monster of Dr. Frankenstein in 2009, in which I also played the Monster.  I loved the experimental, creative nature of those things, and that's a lot of what I love in real life.  Apart from music and theatre, I like chicken of all varieties, artful video games, choral music & Daft Punk (usually back to back) and my family.

I play Signor Naccarelli, and for the life of me I can't find a first name for the guy.  What I really like about playing him is how different he is from me.  I didn't live in the fifties, I have nothing like an Italian temperament, I am not fashionable, whereas Signor Naccarelli is a patriarch of this Italian family, was involved in liaisons during WWII, is possessed of a great dignity and a great temper, and owns a tie shop.

One of my favorite stage directions in the play comes in a scene with Signor and Margaret, where it says "He shines his warmth on her." I love that, and it's something I understand about him.  Signor Naccarelli feels very in charge of his world.  In general, he knows what he wants and knows how to get it, and for other things he wants to make everyone feel happy and at home.

The best part about this journey of doing The Light in the Piazza is working with the cast and crew.  I have never been involved in a production where such a spirit of focus and mutual compassion lives.  It is particularly delightful to work with Kim Bunker, as our characters have a special relationship--we have too much fun and we hope Scott doesn't find out and stop it.  It's also great to work with Michael Milkanin and Becca Petersen, who are so talented and so hard-working.

My last thought about Signor Naccarelli comes from one of his lines, where he rather poetically says that "the human heart is mysterious and sometimes also dangerous."  I think more than anyone, Signor N. understands the complications of love, which are the center of this show."

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The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
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Design Inspiration

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by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!
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