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Meet the Cast - Kimberly Bunker as Margaret Johnson

by Kristen Leinbach, Dramaturg Elizabeth Spencer, author of the novella The Light in the Piazza stated, “I believe no one can read The Light in the Piazza without seeing how remarkably Southern Margaret Johnson is. She appears to be feminine and gracious, certainly well mannered, a little vulnerable, a little innocent, a loyal wife and devoted mother… It is worth considering Margaret Johnson in many ways--isn't she basically a very practical woman? It is practicality versus love that comes into conflict. Her heart goes to battle with her mind… Readers and audience members will certainly have their own opinions as to the rightness or wrongness of Margaret Johnson's decision. This mystery is the center of any real story's appeal and offers, to my mind, the only approach to what life is about. It cannot be predicted or reasoned through from any remote vantage point. It can only be lived, experienced, felt. My story invites you to go along with her and see.” Margaret Johnson, Clara's mother in The Light in the Piazza experiences a fascinating journey with her daughter as they vacation in Italy.  In BYU's production Margaret is being portrayed by Kimberly Bunker.  When I asked Kimberly about her experiences here at BYU and her opportunity to perform as Margaret Johnson, she shared the following "I am beyond excited to play Margaret in BYU's Piazza. I am a Senior this year in BYU's Music Dance Theater program. So many wonderful experiences and opportunities have surrounded me here at BYU. I have been privileged to be a Young Ambassador on the South Africa, Swaziland, and Botswana tour. I have also had the opportunity at BYU to play Madame Firmin in The Phantom of the Opera, Gussie Carnegie in Stephen Sondheim’s Merrily We Roll Along, and Young Anne in Mel Larson’s adaptation of Jane Austen’s Persuasion. I couldn’t have asked for a better production to cap off my wonderful time here at BYU, as The Light in the Piazza. [caption id="" align="aligncenter" width="346"] The Light in the Piazza Rehearsal Clara Johnson (Becca), Margaret Johnson (Kim)[/caption] I first fell in love with Piazza when I was about 17 years-old, while watching the PBS broadcast with Katie Rose Clarke and Victoria Clark. Being 17, I immediately connected with Clara and Fabrizio’s love story. I didn’t really take much notice of Margaret! Through the years of admiring the sound track and then playing the role of Margaret in a class project, I came to see how the story of Piazza is just as much about Margaret’s journey as Clara’s. Margaret is a smart, charming, polite, and strong southern woman. Though I have not experienced many of the things she has in life, I see bits of her in myself and in others around me. She has taught me a piece of what it is like to be a parent. How truly hard it must be to give your life to a person and then have the bravery to set them free to find their own happiness. Piazza is already a joy to rehearse and be a part of. I think audiences will be surprised at how much they will laugh and tear-up all in one evening. Piazza is such a beautiful journey I cannot wait to share!  

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Some Pig: Final Thoughts with Wilbur

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg After the show wrapped up and people went their separate ways, Garret Rushforth, who played Wilbur, and I chatted and I asked him some questions about his experience with the play. What better way to gain insight about the show than from the actor who was in the thick of things from the very beginning? Here is what Garret had to say about this unique opportunity: Me: How was this experience of playing Wilbur? What was your Favorite aspect of it all? Garret: I loved playing Wilbur. My favorite aspect was discovering the character more and more each performance. I never really felt that I had learned all that the character had to offer. Me: What were some challenges that you faced while preparing for the show? Garret: A few of the challenges that I faced had to do primarily with transportation. My car tried to die a couple of times during the run. As far as developing the show goes, I found that the difficulties were mostly in finding the lines. Not simply reciting them, but discovering what was beneath them, motivating them and making them come to life. Me: What lessons have you learned from playing this part, or just from the play in general? Garret: I've learned that there is an amazing opportunity to find out about yourself from the character discovery process. I also learned how much a family the cast can become if given the opportunity. Me: What is your favorite part of this story? Garret: I love when Wilbur and Charlotte talk about Charlotte's death and Wilbur is so devastated. It showed how deep Wilbur's reliance on Charlotte was as well as his desire to help her too. Me: As you leave this production, what will stay with you? Garret: The friendships I've made and the things that I've learned about myself because of the show. Me: What aspects of your character did you love/latch onto from the beginning? Garret: I latched onto the loneliness aspect of Wilbur's life. For all his life, he'd not been given much of a chance, Fern and Charlotte being the exceptions. He was written off by nearly everyone until Charlotte pointed out how special he is. Me: Any final thoughts you would like to share with those who came to the show? Garret: Charlotte's a web was a show that offered a unique view of friendship and family. It doesn't matter what someone looks like or where they're from, friendship and family can transcend all differences.
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From Page to Stage - Working with the English Dept.

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This coming week we have an exciting opportunity to hear from members of the BYU English Department. During the summer, as we geared up for rehearsals and the production in the fall, Shelley Graham and I talked about how we could get more departments here on BYU campus involved with the productions. It occurred to me that we had a special opportunity here, since this play was an adaptation from the Victorian novel George Eliot wrote. Through some help, I was able to get in touch with Professor
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An Actor's Perspective, Part 2

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