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2013 - 2014 Season

Meet the Cast - Becca Petersen as Clara Johnson

By Kristen Leinbach, Dramaturg

When asked about writing The Light in the Piazza and about the relationships of the characters, Craig Lucas said the following

“Clara apprehends the world differently than her mother. [Margaret] goes through Italy with a guidebook. But the girl sees experiences, she sees the light in the piazza. She literally experiences the light as representative of her deepest feelings…That’s why the score has moments where words no longer suffice or are no longer important. It’s the feeling and light. Those things carry us. Human beings are just a conduit for love. I think Clara sees that. Love comes before her and after her.”

I asked Becca Petersen, portraying Clara Johnson, to share a little about her life as well as her experience getting to really know Clara.

“I am Becca Petersen from Carmel, Indiana. I am a senior studying Music Dance Theatre. I will be graduating in April with plans of moving to New York City! At BYU I have performed in PETER PAN as well as two years in the Young Ambassadors traveling to Southern Africa and China. These past two summers I have performed professionally at The Muny and Music Theatre of Wichita. Aside from musical theatre I love to go thrift shopping, take naps, eat out, and spend time with my friends and family.

Clara Johnson has always been one of my dream roles and I could not be more excited and grateful to have the opportunity to play her.

The Light in the Piazza follows Clara and her mother, Margaret, as they travel through Italy. Clara is a very youthful girl who lives life exactly in the moment. She is bright-eyed as she sees and experiences this new place for the first time. The plot is centered around relationships: Clara’s relationship with her mother and her new budding relationship with a Florentine boy, Fabrizio. I feel that I connect with Clara on many levels. I love to travel, explore, and see new places. Because of previous travel opportunities I have had I understand what it is like experiencing different cultures and having to figure out how you fit in. In the show many of the characters, including Clara, go through big life transitions. Currently I can relate as I am getting ready to graduate, preparing to move to NY, having family members and close friends get married, and trying to understand love and relationships of my own. All of these experiences can be scary but can also be incredible if we let ourselves learn, grow, and live in them. We must allow ourselves to find the happiness and joy in all things we experience. In essence, that is what Clara does. Clara finds what makes her happy.”

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by Jessa Cunningham, dramaturg Oscar Wilde was very much a product of his time, so it is only fitting to understand just what that time was before diving into the production itself. So what was the Victorian Era? The Victorian Era started in 1837 with the crowning of Queen Victoria to the British throne and ended in 1901 at the end of her rule. This time period was known as a time that involved relative peace and prosperity in the country. The British Empire expanded all over the globe during this time, and Britain became the most powerful country in the world. While this prosperity happened internationally, there were significant societal, artistic and technological changes that altered life in Britain for many years. While it was a time of peace and prosperity, it was also associated with words such as “prudish,” “hypocritical,” and “stuffy." But that is not true for every aspect. It does apply, however, to the upper and middle classes. The middle class was expanding during this time, and in order to become nobler and rise in status, many middle class people felt like they had to live properly like the other half and follow the rules and conventions in order to do that. And the upper class was certainly not short on rules-- but that is a post for another time! Among this, many middle class people, like Wilde, tried to marry up in order to get into proper society. As changes in class occurred, many other developments did as well, in London especially. New roads were cut through slums, a sewer network was constructed, ten bridges were built over the Thames, and three tunnels were built underneath it. So many things happened in these years that changed the face of London forever. With the continued development of the railroad, mass tourism became quite popular. Because of this, the arts saw a good change: the building of museums with the support of the Royal family. Prince Albert, Queen Victoria's husband, loved the arts and aided in the building of Royal Albert Hall, the Royal Opera House, the Victoria & Albert Museum, the Natural History Museum, and many other amenities that supported the humanities. Great writers rose to prominence during this time as well, including the likes of George Eliot, Rudyard Kipling, the Bronte sisters, and our friend Oscar Wilde. The works they produced were quite popular among the Victorian audience. The Victorian Era was the perfect time for Oscar Wilde to write his most famous play. Without the interesting dynamics that existed at this time to play on, The Importance of Being Earnest would not be as lasting a piece that it is.
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Meet Oscar Wilde

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To truly understand The Importance of Being Earnest, one must meet the man behind the story.
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The Letter is the Play

September 13, 2016 12:00 AM
by Robert Fuller, dramaturg One of the surreal aspects of this performance of Cyrano is the set. To learn more about its creation, I talked with scenic designer, Rachel Bowerbank. Here's a peak into her unique design. [caption id="attachment_4838" align="alignnone" width="529"] (Designs Courtesy of Rachel Bowerbank)[/caption] First off, as this play is one of our traveling shows (and has a small performance space) a compact, easily mobile set is required. With those restrictions in mind, Rachel began with an exploration of scenic design in past performances of Cyrano. In one of the plays most iconic scenes, Roxanne is on a balcony, as Cyrano woos her while impersonating Christian. Many times, this scene includes a curtain, or drapes in the scenery. Director Kris Jennings and Rachel loved this image and wanted to apply it to the set throughout the show. The drape of fabric connected to the importance of Cyrano's love letter. To fulfill this vision, Rachel designed a single drop, or sheet of canvas fabric, which is painted on both sides. On one side are words which allude to love, and water colored blots, matching the color pallets for the casts costumes, while the other side is a final letter Cyrano writes to Roxanne. As the play progresses, the letter is used as a table cloth, a flag, a funeral shroud, and more. It unravels with the play, allowing the audience to see more and more of the letter. Finally, at the end, the audience sees the entire letter, and sees how it perfectly captures Cyrano and his love for Roxanne. [caption id="attachment_4839" align="aligncenter" width="940"] (Designs Courtesy of Rachel Bowerbank)[/caption] Like what you see? To see the full effect, you'll have to come and see the show!
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