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2013 - 2014 Season

Lights Up on the Cymbeline Lighting Designer

by Nick Sheets, Dramaturg

For several months now our production team meets every Wednesday morning at 8 AM to collaborate ideas for Cymbeline. The production team includes: the director, stage managers, dramaturg and production crew (lighting, costumes, hair & make-up, and set design).

Amelia Dunlap, a BYU student, is the lighting designer for Cymbeline. She presented a lot of information in this collaborative process, and I thought it would be neat to hear about her input and process. Here’s some information that I was able to gather:

Amelia Dunlap

One reason Amelia chose to pursue lighting design was her desire to paint with light. She told me that lighting techniques may be subtle, unnoticeable even, but light is always present and creates part of the atmosphere, or mood, of the play.

From Light Lab

In Cymbeline her job is doubled. She’s in charge of lighting design for both the fairy tale and noir versions! That’s a lot of work, and she admits it’s pretty challenging. But let’s take a look at how she’s doing just that.

NOIR

For noir she’s interested in playing with shadows. Shafts of light and sharp lines are what set noir lighting techniques apart from other genres. Also, have you ever seen the noir lamp-posts? They’re pretty “iconic,” she says. Recreating these types of lighting will be her endeavor as she progresses from rendering to reality. She will also use some color, but not enough to distract from the subtle mood of the black and white noir-styled films. FAIRY TALE

On the flip side of noir comes the fairy tale version. She chose to use bright, saturated colors. Here’s an example of what saturated colors look like:

Saturated vs. Non-Saturated Colors

As you see, the saturated colors have more vibrancy. This helps set a more “mystical and magical” mood. Specifically, she will use lots of red, amber and blue for this world.

Colorful World

This concept stands in stark contrast to the noir version. In reality, it’s the same show, but through the different concepts, like lighting, each show stands by itself.

Dunlap, Amelia. Personal Interview. 13 Nov 2013.

If you have any comments about Amelia’s lighting concept, feel free to leave a comment below!

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Margaret More Roper: Scholar and Daughter

July 26, 2022 12:00 AM
[caption id="" align="aligncenter" width="376"] Margaret Roper[/caption] Margaret More Roper: Scholar and Daughter by Adam White, dramaturg Thomas More was a family man; he was married twice and had four children with his first wife, Jane Colt. After being married for six years, Jane Colt More died, leaving More with four children: Margaret, Elizabeth, Cecily and John. However, More quickly remarried to the widow Dame Alice Middleton, marrying her within a month of his wife’s death. While many of his friends resisted the rapid nature of the arrangement, More went through with it. Thomas and Alice More would raise the four children Thomas More had with Jane, as well as Alice’s daughter from her previous marriage and a foster daughter. Certainly, More valued his family and the welfare of his children. More also valued the power of education. He insisted that his daughters be educated through rigorous schooling, and this was unusual in 16th-century England, as society at large believed women unfit for scholarly pursuits. Despite cultural and institutional norms, Margaret More, the eldest of the More children (and More’s favorite, some would argue), would grow to become one of the most educated people in all of England, a woman of great scholarly knowledge. Margaret More Roper was tutored at home and became well-known for her studies, particularly for her adeptness in Greek and Latin. Her skill in writing and speaking Latin would impress the clergy of England. This specialty is reflected in a scene in Bolt’s A Man for All Seasons where Margaret and King Henry VIII engage in a bit of Latin language sparring. She would also become the first woman who was not of royal birth to publish a translated book. In October 1524, Roper published an English translation of a book called ‘Precatio dominica’ written by Thomas More’s good friend Erasmus. This book was based on the Lord’s Prayer. Instead of translating the book directly from Latin to English, Roper would use her extensive knowledge of both languages to construct the themes and the meanings Erasmus had written in to the treatise with her own words. [caption id="" align="aligncenter" width="291"] Erasmus, Dutch humanist and good friend to Thomas More[/caption] It was Margaret who would visit the imprisoned Thomas More the most often. They were very close, writing letters to one another regularly the duration of their relationship. It was in a letter to Margaret that Thomas More confided, “I do nobody harm, I say none harm, I thinke none harm, but wish everybody good. And if this be not enough to keep a man alive, in good faith I long not to live.” We have good reason to believe that Margaret More Roper very well understood what would be her father’s fate. After Thomas More’s execution, Margaret More Roper and her husband William Roper would continue to carry on his legacy in their own ways. William Roper would write the first biography of Thomas More, a glowing and gracious document that would influence our understanding of More’s personality for hundreds of years to come. Margaret More Roper actually kept her father’s head after his beheading, pickling it to preserve it from decay. While many of us may find that historical tidbit a tad macabre, I would like to believe that Margaret More Roper had deep admiration for her father; perhaps it was out of this feeling she kept his head. Please stay tuned to the 4th Wall Dramaturgy Blog to catch clips of my interview with Mallory Gee, the actress who will portray Margaret More Roper in BYU’s A Man for All Seasons. Bibliography: Abernathy, Susan. "Margaret Roper, Daughter of Sir Thomas More." Early Modern England. N.p., n.d. Web. 04 Feb. 2014. Duerden, Richard. "A Man for All Seasons." Telephone interview. 31 Jan. 2014. "Margaret Roper." Wikipedia. Wikimedia Foundation, 28 Sept. 2013. Web. 02 Oct. 2013. "Sir Thomas More Quotes and Quotations." Sir Thomas More Quotes and Quotations. Luminarium. N.p., n.d. Web. 11 Nov. 2013.
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July 26, 2022 12:00 AM
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