Just A Little Change, Small To Say The Least Skip to main content
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Just A Little Change, Small To Say The Least

by Kasey Kopp, dramaturg As we observed last week, the story of Beauty and her Beast has been around for centuries. This week, we will chart the progression of the story from a simple French fairy tale published in the 18th century, to a full fledged movie musical blockbuster and Broadway musical. The following is a timeline that tracks significant adaptations of this tale as old as time and events that have lead up to the creation of this historic piece of film and musical theater. [caption id="attachment_4060" align="alignright" width="224"]

Painting of Jeanne Marie Leprince de Beaumont

Painting of Jeanne Marie Leprince de Beaumont[/caption] 1756: Beaumont publishes her version of the tale in France. 1938: Walt Disney releases its first full length animated feature, Snow White and the Seven Dwarfs.   1946: Jean Cocetau's film, La belle et la bete, is released. It is the most successful and well known film incarnation prior to the release of the animated Disney film in 1991. It introduced a handsome suitor for Belle, who she rejects as rude and conceited. It also included human arms that supported candelabras in the opulent castle! [caption id="attachment_4061" align="aligncenter" width="588"]

A still image from Cocteau's La Belle et la Bête was made in 1946, starring Jean Marais as the Beast and Josette Day as the Beaut.

A still image from Cocteau's La Belle et la Bête was made in 1946, starring Jean Marais as the Beast and Josette Day as the Beaut.[/caption] [caption id="attachment_4062" align="alignright" width="181"]

Promotional poster for the second season of Beauty and the Beast

Promotional poster for the second season of Beauty and the Beast[/caption] 1987: Beauty and the Beast, a television series adapted from the tale, is broadcast from 1987 to 1989. The story centered around the relationship between Catherine, an attorney living in New York City, and Vincent, a "beast" with a lion-like face, who dwells in the tunnels under the city. After two seasons, the series was cancelled when ratings fell after the actress playing Catherine left the show. 1989: The success of Disney’s The Little Mermaid, a cartoon musical based on the Hans  Christian Andersen story, heralds a period known as the “Disney Renaissance.” Executives turn to adapt Beaumont’s 18th century French fairy tale. It is revealed that Walt wanted to animate the piece back in the 1950’s but the animators and storytellers felt the piece too challenging to adapt and shelved the project. 1989-1991: Production of Beauty and the Beast is completed during a “compressed timeline” over a period of two years rather than the traditional four-year “Disney Feature Animation production schedule.”  This reduced time frame is due to loss of production time spent developing an earlier, non musical version of the film. September 1991: Although still not complete, the film is screened at the New York Film Festival and received a standing ovation at its conclusion. [caption id="attachment_4064" align="alignright" width="211"]

A poster from the 1991 release of the film.

A poster from the 1991 release of the film.[/caption] November 1991: Disney’s Beauty and the Beast is released to widespread critical acclaim. It is the first animated film to earn more than $100 million at the box office; it eventually grosses over $425 million worldwide.

1992: Beauty becomes the first animated film to be nominated for the Academy Award for Best Picture. Despite losing the category, it wins two Academy Awards--Best Original Song (title song) and Best Original Score. It also wins the Golden Globe for Best Picture - Musical or Comedy. November 1993: Disney executives move forward to establish a presence on Broadway and chose Beauty and the Beast as their first venture. Beauty and the Beast premiered in a joint production of Theatre Under The Stars and Disney Theatricals at the Music Hall, Houston, Texas. [caption id="attachment_4065" align="alignleft" width="190"]

A poster for the original Broadway production which opened in 1994.

A poster for the original Broadway production which opened in 1994.[/caption] April 18, 1994: Disney’s Beauty and the Beast opens on Broadway at the Palace Theatre with Terrence Mann and Susan Egan in the lead roles. Although the show receives mixed reviews, it is a box office success, setting records almost immediately. It is nominated for nine Tony Awards and wins for Best Costume Design. November 1995: The first of three national tours is launched. At the time of the tour, it was the largest touring production in the U.S., requiring 27 semi tractor trailer trucks to transport the show between cities. Over the course of these three tours, about 5.5 million people saw the Disney musical in over 90 cities in North America. The success of the North American tour leads Disney to announce international productions. 1995-2015 Over the course of twenty years, Disney opens productions of Beauty around the globe. From Helsinki to Seoul, and Johannesburg to Moscow, the musical has been performed around the world in a total of 14 countries and in 116 cities, seen and enjoyed by millions. 1999: The Broadway production transfers to the smaller Lunt-Fontanne theatre. Despite minor revisions, the production remains ultimately the same. When Toni Braxton took on the role of Belle in 1998, a new song was added: “A Change in Me.” After Braxton left the role, the song remained in the script. 2002: The 1991 film is restored and re-released in IMAX theaters. The Library of Congress deems Beauty and the Beast a “culturally, historically, or aesthetically significant” film and selects it for preservation in the National Film Registry. [caption id="attachment_4066" align="alignright" width="190"]

Promotional poster for the final Broadway cast.

Promotional poster for the final Broadway cast.[/caption] July 29, 2007: Disney's Beauty and the Beast closes on Broadway after 13 years and playing 5,461  performances. As of this writing, it is the ninth longest running musical on Broadway. As of 2007, it had grossed over $1.4 billion worldwide. Spring 2015: Disney announces a live-action adaptation is in the works starring Emma Watson and Dan Stevens in the title roles. The film will be based on the Broadway musical and classic animated film and is set for release in 2017. Fall 2015: Disney's Beauty and the Beast will make it's debut at BYU on November 19th, receiving a non-traditional staging and featuring a diverse, musically-talented ensemble that will bring this tale to life as you've never seen it before. Tune in next week when we sit down with the director, George Nelson, to learn about his vision for the piece and what we can expect from this staging!

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[caption id="" align="aligncenter" width="376"] Margaret Roper[/caption] Margaret More Roper: Scholar and Daughter by Adam White, dramaturg Thomas More was a family man; he was married twice and had four children with his first wife, Jane Colt. After being married for six years, Jane Colt More died, leaving More with four children: Margaret, Elizabeth, Cecily and John. However, More quickly remarried to the widow Dame Alice Middleton, marrying her within a month of his wife’s death. While many of his friends resisted the rapid nature of the arrangement, More went through with it. Thomas and Alice More would raise the four children Thomas More had with Jane, as well as Alice’s daughter from her previous marriage and a foster daughter. Certainly, More valued his family and the welfare of his children. More also valued the power of education. He insisted that his daughters be educated through rigorous schooling, and this was unusual in 16th-century England, as society at large believed women unfit for scholarly pursuits. Despite cultural and institutional norms, Margaret More, the eldest of the More children (and More’s favorite, some would argue), would grow to become one of the most educated people in all of England, a woman of great scholarly knowledge. Margaret More Roper was tutored at home and became well-known for her studies, particularly for her adeptness in Greek and Latin. Her skill in writing and speaking Latin would impress the clergy of England. This specialty is reflected in a scene in Bolt’s A Man for All Seasons where Margaret and King Henry VIII engage in a bit of Latin language sparring. She would also become the first woman who was not of royal birth to publish a translated book. In October 1524, Roper published an English translation of a book called ‘Precatio dominica’ written by Thomas More’s good friend Erasmus. This book was based on the Lord’s Prayer. Instead of translating the book directly from Latin to English, Roper would use her extensive knowledge of both languages to construct the themes and the meanings Erasmus had written in to the treatise with her own words. [caption id="" align="aligncenter" width="291"] Erasmus, Dutch humanist and good friend to Thomas More[/caption] It was Margaret who would visit the imprisoned Thomas More the most often. They were very close, writing letters to one another regularly the duration of their relationship. It was in a letter to Margaret that Thomas More confided, “I do nobody harm, I say none harm, I thinke none harm, but wish everybody good. And if this be not enough to keep a man alive, in good faith I long not to live.” We have good reason to believe that Margaret More Roper very well understood what would be her father’s fate. After Thomas More’s execution, Margaret More Roper and her husband William Roper would continue to carry on his legacy in their own ways. William Roper would write the first biography of Thomas More, a glowing and gracious document that would influence our understanding of More’s personality for hundreds of years to come. Margaret More Roper actually kept her father’s head after his beheading, pickling it to preserve it from decay. While many of us may find that historical tidbit a tad macabre, I would like to believe that Margaret More Roper had deep admiration for her father; perhaps it was out of this feeling she kept his head. Please stay tuned to the 4th Wall Dramaturgy Blog to catch clips of my interview with Mallory Gee, the actress who will portray Margaret More Roper in BYU’s A Man for All Seasons. Bibliography: Abernathy, Susan. "Margaret Roper, Daughter of Sir Thomas More." Early Modern England. N.p., n.d. Web. 04 Feb. 2014. Duerden, Richard. "A Man for All Seasons." Telephone interview. 31 Jan. 2014. "Margaret Roper." Wikipedia. Wikimedia Foundation, 28 Sept. 2013. Web. 02 Oct. 2013. "Sir Thomas More Quotes and Quotations." Sir Thomas More Quotes and Quotations. Luminarium. N.p., n.d. Web. 11 Nov. 2013.
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