Skip to main content

Julius Caesar Dramaturgy Resources

Screen-Shot-2021-11-10-at-9.19.34-PM-e1636604687867-1140x680.png

2021-2022 SEASON, JULIUS CAESAR

by Shelley Graham, dramaturgy supervisor

This project is multiple years in the making, having been initially proposed for the BYU 2020-21 season. Originally, it was going to be my project as a faculty dramaturg. And I began working on a script adaptation that would feature women and build a more gender-neutral world in which both men and women would hold power. The pandemic forced a postponement for a year, and I paused my work on an adaptation.

One year later, I resumed adaptation work with our guest director, Linda Hartzell. As I finished the first few drafts of the adaptation, I met a senior student majoring in history, Emme Corbett, who had just discovered dramaturgy and was eager for production experience before graduation. I happily added her to my dramaturgy team, and we began working on historical and cultural research for performance. Not long after Emme joined the team, Angela Moster, a graduate student in the theatre department and a native Italian, was looking for another project to join while she finished her graduate studies. I was naturally happy to add her to the dramaturgy team as well.

The three of us then began working in summer 2021 to build a dramaturgy website that would serve as a resource for our actors, designers, and potentially even the audience. We built an interactive glossary as well as a pronunciation guide, a collection of videos, and resources on the various time periods explored in the production. In our group text conversations over the summer, we shared this website, asked questions, discovered answers, and generated new questions. We invite you now to take a tour of our website and the world of this play.

Screen-Shot-2021-11-10-at-9.19.34-PM-e1636604687867-1140x680.png

By sgraham

Related Articles

data-content-type="article"

"You have been my friend..."

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

It's All So Very... British! (Part 2)

July 26, 2022 12:00 AM
Playwright Philip King knew how to get the laughs. Much of the humor in See How They Run is the contrast of American and English cultures. America's entrance into WWII and subsequent support of the United Kingdom led to many American troops stationed in England. Those troops brought their American culture and customs. Consequently, 1940s Britain was suddenly learning a lot about our culture; some of it they liked and some of it they didn't but Philip King's ability to find the humor in American/England cultural differences contributed to See How They Run's success. BBC America: 10 American Habits Brits Will Never Understand See How They Run's current version was purposefully revised for an American audience. In fact, the play has gone through more than one big change. The original script was a one act farce titled Moon Madness produced at Peterborough Reperatory in 1942. A few years later it went to Comedy Theatre on London's West End and it was there that King added a second act and renamed it See How They Run. [caption id="" align="alignright" width="343"] See How They Run first appeared in London during Hitler's second Blitz of Southern England news1.ghananation.com/international[/caption] Opening night on the West End was an exciting event. Rumor has it that during the show, three bombs dropped on London but even Hitler's Blitz could not stop the laughs. The show continued without a pause but George Gee, the actor playing Clive, later complained that all three bombs dropped during his funniest lines. See How They Run was so successful it continued for 600 more performances. In 1949, the show was once again revised and re-staged, this time in America. King changed Clive and Penelope to American characters to appeal to the local audience. Also, with the end of the Second World War and the rise of the Cold War, the original Nazi intruder was changed to a Russian spy. This is the version we present to you this year.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

test

July 26, 2022 12:00 AM
story emporium
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=