Interview with Ty Hawton, Playwright Skip to main content
2020-2021 Season

Interview with Ty Hawton, Playwright

by Lillian Bills, dramaturg This interview with Ty Hawton, playwright of Everyone (an adaptation of Everyman) was conducted by Lillian Bills, dramaturg for BYU's 2021 production of Everyone, on February 11, 2021. Download the transcript of the interview by clicking on the link just below the video. https://www.youtube.com/watch?v=HnmrK2jJCpY

Interview with Dr. Joseph Parry about Everyman

Time Codes:
0:00 – 2:15 An Introduction to Ty Hawton
2:15 – 7:46 About Playwriting and Ty’s Style
7:41 – 14:25 Adapting Everyman
14:25 – 16:00 Ty’s Favorite Moment from Everyone
16:00 – 18:46 Challenges of Writing a Zoom Performance
18:46 – 19:45 Excitement for Everyone
19:45 – 24:42 What’s Next for Ty

Interview with Ty Hawton Transcript

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Suffrage Playbill

October 14, 2020 12:00 AM
Cast
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Women of Utah: Different Circumstances, Same Faith

October 14, 2020 12:00 AM
Dramaturg's note by Sammy Daynes Utah women of the 19th century believed in many of the same doctrines that members of the Church of Jesus Christ of Latter-Day Saints believe in today. They also believed in and practiced the doctrine of polygamy, which was accepted as not only revelation from God but also an unremarkable way of life. Many women found happiness in plural marriages, formed close relationships with their sister wives and helped each other in raising children. One woman, after being proposed to, asked that the man marry both she and her sister. Hundreds of women accepted plural marriage- “some because they believed plural marriage was a glorious doctrine, others out of a hope for future exaltation or because conforming seemed a lesser idea than abandoning their homes and faith.”* To be a Mormon at this time meant to fight to practice your religion. The people were full of faith, because the very choice to be a Mormon was in effect equal to outcasting yourself from the rest of America. The rest of the country saw polygamy as a great evil, and as a result, Congress rescinded women’s right to vote, something that had already been permitted in the territory for 17 years. Utah was unique in the sheer number of women who campaigned for suffrage. Utah had a higher proportion of its population affiliated with the national women's suffrage unit than any other state or territory in the nation. Elizabeth Cady Stanton and other famous suffragettes came often to Utah and found the women there to be some of the most incessant campaigners for women’s votes in the country. A gathering of Utah suffragettes was called “one of the most remarkable, perhaps, that has ever congregated on the Continent. To see a mass of between 3,000 and 4,000 women…meeting together to advocate the claims of polygamy and defend the men who practice it.”* [caption id="attachment_7360" align="alignleft" width="300"] (Courtesy of National Women’s Party) Local leaders in Utah encouraging rights of Women’s Suffrage[/caption] These women were full of faith and would not back down. In a New York Times editorial, a writer supposed that if women received the vote, they would use it to eliminate polygamy. No one suspected that the women would fight to defend it. Phebe Woodruff said that if Congress chose to imprison Mormon men they would have to “make their prisons large enough to hold their wives, for where they go we will go also.”* When Wilford Woodruff finally issued the manifesto advising the saints to desist in practicing polygamy, the reaction was mixed- some joyous, some sorrowful, most simply confused. If anything, it further spurred women in the fight for suffrage, and they were rewarded when Utah received statehood in 1896 and its constitution gave women the right not only to vote but also to hold office. Suffrage brings us right into the lives of two sister-wives who valued not only the vote but also their polygamous marriages. The struggle of Ruth and Frances to balance their faith, their freedom, and their responsibilities is one the play tackles with heartbreaking grace. Hearing their story reminds us that despite their wildly different circumstances, the women of the 19th century were very similar to Utah women today: fiercely loyal to their families, devoted to their faith, and avid supporters who lifted each other. **All quotes taken from A House Full of Females: Plural Marriage and Women’s Rights in Early Mormonism, 1835-1870 by Laurel Thatcher Ulrich
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Meet the Crew!

October 13, 2020 12:00 AM
The Suffrage team has been working hard to bring you a stellar audio-drama performance this week. Below, you can meet our crew! Emily Trejo, Director Emily is a Senior studying Theatre Education with minors in TESOL and Family Life. She has had the opportunity to work on a handful of shows here at BYU that has helped further her interests in Directing and Dramaturgy. Aside from a life in theatre, Emily has also founded a mariachi band, Mariachi Montes Azules, that has also experienced lots of growth in the last few months. She is grateful to her husband, Dravyn, who has helped keep her sane during the semester.Tiffany Gibbons, Sound Designer and Foley Artist Tiffany is a Senior in the Theatre Education program from Cedar Hills, UT. Passionate about music and movement, Tiffany hopes to teach in elementary schools and advocate for the use of the arts in general classrooms. This is such a beautiful and impactful show, and she is so grateful to have had the chance to help tell this story! Sending blessings to artists, teachers, storytellers, and Mothers everywhere during this trying time!Becca Christiansen, Hair and Makeup Designer Becca has always had a love for hair and makeup and has been a cosmetologist for 7 years. She graduates this semester and can't wait to be able to spend more time with her husband and baby once she does. She stays busy with taking care of her family, cutting hair, and running her own boutique. Claire Eyestone, Costume Designer and "Frances" Claire Eyestone is a senior studying theatre education and English teaching. Recent credits include Amy in Charley's Aunt at the HCTO, Adriana in Comedy of Errors, and assistant directing Little Shop of Horrors at BYU. She's loved getting to both design and act in this production.Juniper Taylor, "Ruth"Juniper Taylor is a junior in the BFA Acting program. She has played many roles from Lucifer in Dr. Faustus to Hodel in Fiddler on the Roof. She would like to thank Emily and the production team for working so hard on a story she’s grown to love. And she would like to thank Ruth for teaching her that strong, independent women can change the world. Samantha Daynes, Dramaturg Samantha is a senior from Singapore studying theatre education. She is the great-great-great granddaughter of Wilford Woodruff, and has loved the opportunity to understand more about the lives of the early Saints. Acting credits include BYU's Hamlet and Comedy of Errors, and she read stage directions for Suffrage when it premiered at BYU's Contemporary Voices Festival. She has also worked as a set and costume designer, as well as a full-time position on the run crew at Moonlight Amphitheatre in Vista, CA, and hopes to continue her education in many aspects of theatre.Lisa Eardley, Assistant Dramaturg Lisa is a Senior from Elko, NV. She will graduate this semester with her degree in Theatre Arts with an emphasis on costume design. She has been the costume designer for the Silver Stage Players and the Overland Stage Theatre Company in Elko for several productions including Joseph and the Amazing Technicolor Dreamcoat, White Christmas, and Cinderella.
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