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2016-2017 Season

Intersecting Improvisations: Where Short Skits Meet Long Yarns

Children love to watch impromptu stories unfold and come to life, especially stories they can take part in, such is the way of improvisation. As a child, I loved acting out these made up stories with my siblings and the neighborhood kids. We didn’t own a camera, so we would just pretend to take turns making the motion of “rolling a camera” to “film” our story, and whenever possible, we’d perform our show in front of neighbors. It wasn’t until later that I realized that people actually “act” out stories “live” in front of a group of people called an “audience,” that the people performing are known as “actors” and that the process is called a “play.”

Pollyanna (age 3) with her own real 'Daddy Warbucks' who would adopt her five years later and then take her that same year to see her first play, <em>Annie</em>

The year I was adopted, my new “official” Dad took me to see an actual play, the Broadway production of Annie on National Tour; (of course, I didn’t realize the significance at the time) and the seed was planted. As a Mom, I continued the art of impromptu storytelling, interspersed with songs. I made up short stories at bedtime or long ones on road trips to visit family.

Here at Brigham Young University, we are proud to present live storytelling in The Glorious Story Emporium in long form improv. The difference between long form and short form improv is more than just stage time. Long form improv follows a story arch and may begin with one of a number of basic plots … one of my favorites is “apocalypse” or “disaster movie” and yet the storyline may take on a life of its own following suggestions from the audience. Unlike long form improv, short form improv skits are quick situations that the actors or participating audience members are trying to tie up quickly and may be in competition with another group doing the same situation or a similar one. Short form improv is ideal as a warm-up exercise for a drama class, for guests at a party, or multiple short form improvs end to end may add up to the length of a show’s worth. However, one long form improv will usually fill an entire evening’s worth of entertainment.

For the “rest of the story” on the long and the short of improvisation types, check out this link:  https://bigbluedoor.org/2013/02/18/whats-the-difference-between-long-and-short-form-improv/ 

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Games and Activities Inspired by this Fishy, Wishful Tale (Part 2)

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The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
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Design Inspiration

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by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!
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Until Next Time, Microburst

July 26, 2022 12:00 AM
by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
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