Insight into the Inspiration for our Puppets (Part 2)

May 06, 2014 12:00 AM

Tara Nicole Haas <a title="Insight into the Inspiration for our Puppets (Part One)" href="http://4thwalldramaturgy.byu.edu/insight-into-the-inspiration-for-our-puppets-part-one" target="_blank">In my last post</a>

By Tara Nicole Haas In my last post, I talked about some of the puppet companies that have inspired our puppet making for The Selfish Giant. Here are a few more who we would like to share! Blind Summit: "17 years ago Blind Summit started with two guys, one puppet and one story. There was no adult puppetry scene in the UK. There was no Lion King, Avenue Q or War Horse... no one wanted to do puppetry, or to watch it! Since then we have created 30 productions, trained 100 artists and even directed the puppetry in the London 2012 Olympic Opening Ceremony. Last year our puppets were seen by over 330,000 people." Mark Down - Artistic Director • Puppetry innovators who are subverting and reinventing the ancient Japanese art form of Bunraku puppetry for contemporary worldwide audiences. • They believe that at a time when theatre is so under threat from the proliferation of new media, puppetry is one of the areas which offers a unique, live experience for audiences. They see puppetry as a radical part of the reinvention of theatre in our time. • Their work aims to challenge people's attitudes towards puppetry. Their puppets are modern and shows tackle contemporary issues that concern them.

Faeries Photo credit not found © 2008. All rights reserved. Used with permission. Handspring Puppet Company: • Founded in 1981 and based in Cape Town, South Africa, the company provides an artistic home and professional base for a core group of leading puppetry artists, performers, designers, theatre artists and technicians. Handspring’s work has been presented in more than 30 countries around the world. • The company is widely recognized as South Africa’s pre-eminent puppet theatre company. The company’s work spans three decades of creating theatre for adults and children. Recently, Handspring has been established as one of the most important puppet companies in the world. • Handspring has won several awards, including the 2011 special Tony award for their development of the puppets for Warhorse. • Africa has a rich culture involving puppetry, and Handspring is dedicated to keeping it alive by creating many different forms and types of puppet performance.

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Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!

Insight into the Inspiration for our Puppets (Part 2)

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