Inside "Servant" Callbacks Skip to main content
2012-2013 Season

Inside "Servant" Callbacks

by Janine Sobeck, dramaturg

As previously mentioned, director Stephanie Breinholt has a big, bold vision for her production of The Servant of Two Masters. So, naturally, in order to accomplish it, she needs a cast that is up to the task. Which means we had one hilarious audition process.

As is typical, Stephanie held a two-part audition. For the first part, interested actors came in and either did a prepared monologue or a cold-read (where they read a scene from the script of Servant). This is pretty normal in the audition world.

Then things really got interesting. For the second part – the Callbacks – Stephanie had the group of actors she was thinking about casting come in for a 4 hour improvisation and reading extravaganza.

The first hour was focused on the (physical comedy) part of the show. The actors were divided into groups and given a certain prompt (i.e.: you are about to get on a roller coaster ride and one member of your group is too frightened to sit down). The groups then had 10 minutes to plan and prepare a scene, which they then performed in front of the whole group. Stephanie was particularly looking for the actors who made strong and interesting character choices and who were willing to push the physical comedy.

I’m not sure I’ve ever laughed so hard during a callback. Ever.

And since we caught it all on video, it means we get to share the experience with you. So here’s a sneak peek at two of the improvs:
For the second hour, Stephanie pulled out the kazoos. Yes, I said the kazoos. Since part of the Stephanie’s vision includes the cast creating all the music for the show through kazoos, she wanted to see how creative the actors could be through song and dance. Again, the actors were divided into groups, given a musical genre (i.e. Country) and then given time to plan and prepare a “musical offering.”

Kazoos + Riverdance = lots of laughter.

Here’s a look at two of the groups.

We concluded the day with the actors reading scenes from the script, vying for the different roles. At the end, we had so many great actors to choose from…and came up with one fantastically creative cast.  

Related Articles

data-content-type="article"

An Actor's Perspective, Part 2

July 26, 2022 12:00 AM
By Abram Yarbro and Holly Mancuso Microburst Theatre Festival opened last week, and it has been great to have an audience. As Lee Hall explained in an interview, "Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else."
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

"You have been my friend..."

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

The Magic Flute "Cheat Sheet"

July 26, 2022 12:00 AM
If you’d like to learn more about The Magic Flute, this “cheat sheet” will help you! Click on the links below for more information about the opera, as well as the Brigham Young University production, running October 22-26, 2019.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=