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2015-2016 Season

In March A Tree We Planted. Part 1.

By: Eric Stroud, dramaturg (NOTE: Mother Courage and Her Children opened on Friday to a major success. Tickets are still available for other showings, but they are going fast. You can buy them online by visiting this link.)
THE SONG OF SHELTER

IN MARCH A TREE WE PLANTED
TO MAKE THE GARDEN GAY.
IN JUNE WE WERE ENCHANTED:
A LOVELY ROSE WAS BLOOMING
THE BALMY AIR PERFUMING!
BLEST OF THE GODS ARE THEY
WHO HAVE A GARDEN GAY!
IN JUNE WE WERE ENCHANTED.

WHEN SNOW FALLS HELTER-SKELTER
AND LOUDLY BLOWS THE STORM
OUR FARMHOUSE GIVES US SHELTER.
THE WINTER’S IN A HURRY
BUT WE’VE NO CAUSE TO WORRY.
COSY ARE WE AND WARM
THOUGH LOUDLY BLOWS THE STORM:
OUR FARMHOUSE GIVES US SHELTER.

This lovely song comes in scene ten of Mother Courage and Her Children. Sung by a farmer and his family, it seems to be a simple ballad of gratitude for a garden in the spring and a house that keeps their family warm in the winter. It is a pretty song, but to be frank, random. When I first heard it, I wondered why would Brecht include it in his play. However, after some research I was surprised by what I found. Lets focus on the planting of the tree for a moment. A large part of director David Morgan's concept for this show revolves around a tree that sits center stage.

deadtree

When I first spoke to David about his concept for the show, he spoke of how he wanted to emphasize that any war we have today, is simply evidence that human kind has not learned from its mistakes. He wanted his audience to stop and think for a moment about what war has ever actually solved, and whether or not it is ever the answer. When he told me about the tree, I asked him what he wanted it to mean. He sat for a moment and pondered. "It's human kind," he finally answered. He went on to tell me that the tree would be a dead one, just as war mongering is the death of the human race. When are meeting was over, I immediately started doing research. Now that I understood my director's usage of a tree in the play, I wanted to know what Brecht meant by mentioning it in this song. In most translations of Mother Courage the word 'tree' or 'trees' is mentioned at least ten times. Now for a noun in a play, just over 100 pages, this is a fair amount of usage. Well, after doing some digging I came across some very interesting information. Adolf Hitler loved oak trees.

nazioaks

In fact, there were over 130 oak tree saplings presented by Hitler to gold medalists during the 1936 Olympic Games in Germany. I know, what the heck?

"The oak tree was considered the sacred tree of Germany. Hitler loved oak trees and had them planted all over the Reich as "concordant with the spirit of the Führer." Oak leaves and acorns were even the symbols of the SS, Hitler's green Praetorian Guard."Read more: http://bit.ly/1MfvYUb

So what does this have to do with Brecht's mention of trees so many times in Mother Courage? Well, as I have mentioned before, this play was written by Brecht as an anti-war, direct response to the Nazi Regime of World War II.

brecht&son

Although the play did not go on stage until prior to Hitler's regime (due to Brecht having to hide from them in Poland), we know that Brecht outwardly condemned the Nazi regime, which was his reason for hiding in the first place.

With this knowledge in mind, the planting of the tree by the farmer takes on knew meaning. While we do not know for sure, perhaps inclusion of the song in the play is a commentary on Hitler's attempt to use oaks as a means of manipulation.  Just as Hitler seemed to have used the oaks as a mask for the sinister, the farmer uses the trees as a means of willful ignorance to the war going on outside his home. Brecht certainly despised those Germans who would simply submit to the extermination of Jews and an oppressive dictatorship if it meant a joyful Spring. However, if you come and see the play, you can see what happens to this farmer and his family.

David Morgan's concept also took on new meaning for me as well. Though he did not necessarily mean it to, the tree became an omen for future generations. It stood as a warning to those of our generation who ignore our views on war, with a willful ignorance. However, Dave's concept delves deeper. Tune in to the next post to learn what other elements of the show apply to Dave's concept; "any war we have today, is simply evidence that human kind has not learned from its mistakes."

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Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
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Welcome to Zuckerman's Farm!

July 26, 2022 12:00 AM
Come one, come all! Come and see Zuckerman's famous pig! He is quite a sight to see, I do tell you. Please, step right up to get get a better look.
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