The House of Desires creative team has made multiple connections across campus and disciplines this semester, and we are excited to share this unique production with so many university community members outside the Theatre and Media Arts department.
Kathryn Isaak invited members of the cast and creative team from House of Desires to join her Interdisciplinary Humanities class on Friday, March 1st and share about their experiences working on the show. Students in Professor Isaak’s class are going to be watching House of Desires and writing an essay analyzing how technical elements highlight themes present in Sor Juana’s work, or describing how artistic choices came together to create meaningful moments in the story. Some of Professor Isaak’s students have not had many experiences watching live theatre, which makes us all the more excited to welcome new theatre goers into our audience! We know there is so much to learn from looking critically at Sor Juana’s work and these students will get so much out of this experience.
In a discussion with the students, Hunter Aro, our fight choreographer for this production, highlighted how his work was influenced by a Chinese performance in which a sword fight occurs in the dark. He also talked about his experiences choreographing the fight in our previous BYU Theatre production of Wait Until Dark, and the different challenges that come from choreographing a fist fight and a sword fight in the dark.
As the assistant dramaturg for the show, I was able to share my experiences studying Sor Juana’s original script, Los empeños de una casa. Studying the original Spanish play allowed me to give directors and designers a better understanding of the more literal meaning of Sor Juana’s words and insights on why Catherine Boyle may have translated parts of the story in certain ways. Thomas Jenson who plays Don Pedro talked about how his background in dance helped him create his character’s flirtatious, fun personality.
Don Pedro (played by Thomas Jenson) woos Dona Leonor (played by Elyna Mellen) in a preview performance of House of Desires at the BYU Museum of Art. March 2024.
Photo by Riley Lewis, BYU Museum of Art
Students had many great questions for the designers and actors. They were curious about the actors’ process of embodying their roles. The actors talked about how they have been learning how to trust their impulses, especially because this play is a comedy, and often their instincts have helped them discover these hilarious moments within the story. Adam Houghton, the director of the show, shared how he had the actors do the first thing that came to their mind as he was staging the show and then developed the comedy from there.
Designers and actors will also be joining Professor Valerie Hegstrom’s Global Women’s Studies and Spanish Golden Age Literature classes on March 21st to discuss their work on the show. Professor Hegstrom's students have been studying and discussing House of Desires in class, and we are so excited to hear their thoughts on Sor Juana’s work and how our performance compares with discussions they have had in class. We enjoy sharing the work we are doing in the theatre with other students across campus and hearing about their perspectives and experiences with these stories we love!
by Janine Sobeck, dramaturg Tech week is one of the most exciting moments in any show. It's the time when we get to leave our rehearsal room, move onto stage, and add all of the production elements. To help the actors adapt to all the changes we usually make a gradual transition. Pre-tech: While still in the rehearsal room, actors are given certain rehearsal props and costumes to help them in the creation of their characters. In the case of Princess Academy, all the girls were given rehearsal skirts and all the characters were given rehearsal books and and other items (such as the miri flower). We also added all of the instruments used in the show. Tech day 1: The first day of tech included adding the set and sound. One of the biggest changes for our actors is the ramps on our stage. They finally had the opportunity to climb the mountain! Tech day 2: It's time to add the props! In order to support Director Megan Sanborn Jones' vision of the show, prop designer Scott Jackson made all of the props out of paper, letters, and books. Tech days 3-4: This is what we call an "All Tech." The final elements of the show (lights, costumes, and make-up) are added into the mix. Day 3 is spent working through all the cues in act 1 and day 4 is spent working through act 2. Tech days 5-7: The time has come to run the show! These are our dress rehearsals, where the goal is to do the show exactly as if it was a real performance. This means starting at our normal curtain time and trying to never stop. The director, playwright, dramaturgs, and designers sit in the audience making notes about what is working and what still needs to change. At the end of the nights, the actors and designers are given feedback and we rehearse any moments that need some extra attention. Tech day 8: Which is today! Tonight is the time when we finally get to add the final element of the show: the audience! Our final day of tech is known as the "preview performance." Friends, families, and students are invited to see the show before we officially open. While we always reserve the right to stop the show if necessary (it is, after all, still a rehearsal), we hope that everything will go smoothly!
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.