Fresh Air Skip to main content
Test

Fresh Air

by Ariel Mitchell, Dramaturg Gone Missing is a non-traditional play. Instead of following a linear structure, where events build on top of each other to a climax, the play has what theater practitioners call a mosaic structure. Like a mosaic creates a picture out of miscellaneous fragments of glass and tile, the play is composed of bits and pieces of stories from lots of different characters. This allows the audience to explore a theme or see all sides of an issue. The problem with this is that sometimes, it is hard to find one story or character to hold on to. [caption id="attachment_1259" align="alignleft" width="300"]

Our Terry (Sarah Porter) and Palinurus (James Lyon) in rehearsal.

Our Terry (Sarah Porter) and Palinurus (James Lyon) in rehearsal.[/caption] The way the Civilians accommodated for this in Gone Missing was by creating a backbone, or a fictionalized reoccurring discussion between a radio host and her guest. This radio show is based on the NPR program, “Fresh Air,” hosted by Teri Gross, in which she interviews interesting people about various subjects. This sets up a perfect platform to discuss the thematic issues of loss and tie the somewhat unconnected script together. Terry's guest in Gone Missing is named Palinurus, after the helmsman/guide of Aneas’ ship in Virgil’s Aenid. In the Aenid, the gods tell Aneas that Palinurus is the only man who can get them from Troy safely. One night Palinurus falls asleep at the helm and falls into the ocean, paying the vain Neptune’s sacrificial price and ensuring safe passage to Italy. He fulfilled the prophesy, but probably not in the way he was expecting. An interesting choice of character that plays deeply with the ideas outlined in Gone Missing about loss.

fresh_air_617_347

If you are interested in tuning in to hear the real Terry, “Fresh Air” is broadcast weekdays at 12:00 noon (Eastern Time) and can also be found online at http://www.npr.org/programs/fresh-air/.

Related Articles

data-content-type="article"

Contextual Resources for The Cherry Orchard

March 27, 2025 09:29 PM
The creative team began working on this production a little more than a year ago. In my role as production dramaturg, I was happy to create a website of resources first for the creative team, and then when we went into rehearsals, for the cast. And now that we are opening the show, the resources offer valuable perspectives to our audiences as well.
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=
data-content-type="article"

Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=
data-content-type="article"

“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=