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2020-2021 Season

Faith Community Connections

by Cameron Cox, dramaturg In the second of BYU’s Illusionary Tales, Such A Time As This written by James Goldberg, the audience is introduced to Hadassah Loew, a woman born and raised in a community of faith who has since left it. Hadassah’s Hassidic faith community has striking parallels to aspects of our faith community here at Brigham Young University. Hadassah's relationship to her faith community will undoubtedly sound familiar to some in our audience and her journey in Such A Time As This may seem familiar as well.

As a Mormon with strong Sikh and Jewish family roots, I feel strongly about the ways the stories we choose to cherish shape our world. I'm particularly aware of the power of religious storytelling. They've fueled movements for a better world.- James Goldberg, Playwright of Such A Time As This 

A Golem statue in the city of Prague.[/caption] Hadassah explores her family's Jewish heritage, looking to the story of The Golem of Prague as a source of comfort and protection. The ancient Jews viewed Rabbi Loew's creation of the Golem and its protection of the Czech citizens as a signal of God’s love, and resultantly modern-day Prague is full of depictions of the Golem that saved its Jewish citizens. These take the form of statues, mosaics, shop names/signs, and tourist souvenirs.  [caption id="attachment_7407" align="aligncenter" width="249"]

The Golem, in mosaic form on the streets of Prague.[/caption] Similarly, as members of the Church of Jesus Christ of Latter-Day Saints, we have a rich history of memorializing events where divine intervention was used to save our people. From The ChurchofJesusChrist.org:

The first Latter-day Saints to enter the Salt Lake Valley in the summer of 1847 immediately set to work preparing the dry soil for a spring harvest. As the crops grew that spring, they looked thick and green, and farmers anticipated a rich yield. Tragically, however, swarms of crickets descended on the fields in late May 1848, threatening to destroy much of the pioneers’ potential food supply. Farmers watched as the crickets devoured acres of grain and vegetables. Many prayed that the Lord would deliver them from the infestation.In early June large flocks of California gulls swept the valley, feasting on the crickets. The number of gulls at first frightened many of the farmers, who feared another calamity may have struck their vulnerable crops. But soon they watched the gulls gorge on crickets, drink water, regurgitate the indigestible parts, and return for more. Although the cricket infestation lingered for another few weeks, the gulls had consumed enough to mitigate the damage.

Commemorating the miraculous appearance of the seagulls saving the crops of the early pioneers have been dozens of paintings, and the seagull has become an important piece of contemporary Latter-Day Saint iconography. Somewhat ironically, the California seagull has even been named the Utah state bird.

While Hadassah’s Hassidic Jewish faith community and culture have a longer and perhaps richer history than ours as members of the Church of Jesus Christ of Latter-day Saints, there are a plethora of ways in which we can see aspects of our experience in a faith community with a rich history in her story. Look out for these as you tune in to BYU’s Illusionary Tales running Oct. 29th-31st at 7:00 PM.

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Simple is Best

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Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
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Welcome to Zuckerman's Farm!

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Some Pig: Final Thoughts with Wilbur

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg After the show wrapped up and people went their separate ways, Garret Rushforth, who played Wilbur, and I chatted and I asked him some questions about his experience with the play. What better way to gain insight about the show than from the actor who was in the thick of things from the very beginning? Here is what Garret had to say about this unique opportunity: Me: How was this experience of playing Wilbur? What was your Favorite aspect of it all? Garret: I loved playing Wilbur. My favorite aspect was discovering the character more and more each performance. I never really felt that I had learned all that the character had to offer. Me: What were some challenges that you faced while preparing for the show? Garret: A few of the challenges that I faced had to do primarily with transportation. My car tried to die a couple of times during the run. As far as developing the show goes, I found that the difficulties were mostly in finding the lines. Not simply reciting them, but discovering what was beneath them, motivating them and making them come to life. Me: What lessons have you learned from playing this part, or just from the play in general? Garret: I've learned that there is an amazing opportunity to find out about yourself from the character discovery process. I also learned how much a family the cast can become if given the opportunity. Me: What is your favorite part of this story? Garret: I love when Wilbur and Charlotte talk about Charlotte's death and Wilbur is so devastated. It showed how deep Wilbur's reliance on Charlotte was as well as his desire to help her too. Me: As you leave this production, what will stay with you? Garret: The friendships I've made and the things that I've learned about myself because of the show. Me: What aspects of your character did you love/latch onto from the beginning? Garret: I latched onto the loneliness aspect of Wilbur's life. For all his life, he'd not been given much of a chance, Fern and Charlotte being the exceptions. He was written off by nearly everyone until Charlotte pointed out how special he is. Me: Any final thoughts you would like to share with those who came to the show? Garret: Charlotte's a web was a show that offered a unique view of friendship and family. It doesn't matter what someone looks like or where they're from, friendship and family can transcend all differences.
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