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2020-2021 Season

Faith Community Connections

by Cameron Cox, dramaturg In the second of BYU’s Illusionary Tales, Such A Time As This written by James Goldberg, the audience is introduced to Hadassah Loew, a woman born and raised in a community of faith who has since left it. Hadassah’s Hassidic faith community has striking parallels to aspects of our faith community here at Brigham Young University. Hadassah's relationship to her faith community will undoubtedly sound familiar to some in our audience and her journey in Such A Time As This may seem familiar as well.

As a Mormon with strong Sikh and Jewish family roots, I feel strongly about the ways the stories we choose to cherish shape our world. I'm particularly aware of the power of religious storytelling. They've fueled movements for a better world.- James Goldberg, Playwright of Such A Time As This 

A Golem statue in the city of Prague.[/caption] Hadassah explores her family's Jewish heritage, looking to the story of The Golem of Prague as a source of comfort and protection. The ancient Jews viewed Rabbi Loew's creation of the Golem and its protection of the Czech citizens as a signal of God’s love, and resultantly modern-day Prague is full of depictions of the Golem that saved its Jewish citizens. These take the form of statues, mosaics, shop names/signs, and tourist souvenirs.  [caption id="attachment_7407" align="aligncenter" width="249"]

The Golem, in mosaic form on the streets of Prague.[/caption] Similarly, as members of the Church of Jesus Christ of Latter-Day Saints, we have a rich history of memorializing events where divine intervention was used to save our people. From The ChurchofJesusChrist.org:

The first Latter-day Saints to enter the Salt Lake Valley in the summer of 1847 immediately set to work preparing the dry soil for a spring harvest. As the crops grew that spring, they looked thick and green, and farmers anticipated a rich yield. Tragically, however, swarms of crickets descended on the fields in late May 1848, threatening to destroy much of the pioneers’ potential food supply. Farmers watched as the crickets devoured acres of grain and vegetables. Many prayed that the Lord would deliver them from the infestation.In early June large flocks of California gulls swept the valley, feasting on the crickets. The number of gulls at first frightened many of the farmers, who feared another calamity may have struck their vulnerable crops. But soon they watched the gulls gorge on crickets, drink water, regurgitate the indigestible parts, and return for more. Although the cricket infestation lingered for another few weeks, the gulls had consumed enough to mitigate the damage.

Commemorating the miraculous appearance of the seagulls saving the crops of the early pioneers have been dozens of paintings, and the seagull has become an important piece of contemporary Latter-Day Saint iconography. Somewhat ironically, the California seagull has even been named the Utah state bird.

While Hadassah’s Hassidic Jewish faith community and culture have a longer and perhaps richer history than ours as members of the Church of Jesus Christ of Latter-day Saints, there are a plethora of ways in which we can see aspects of our experience in a faith community with a rich history in her story. Look out for these as you tune in to BYU’s Illusionary Tales running Oct. 29th-31st at 7:00 PM.

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The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
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Design Inspiration

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by Amelia Johnson, Dramaturg Creating a show is a process. Though the run of the show is over, there was a lot more that went into the show than what was seen in those few weeks. Months before the run, the production team began meetings. They discussed the director’s vision for the show and began planning designs. Everything was approved of and discussed before lights were set, sets, were built, and the costume and makeup designs were implemented. This year, the costume and makeup designers drew inspiration from the local artist, James Christensen. Having passed away earlier this year, director Dallyn Bayles thought it would be nice to pay tribute to him in this way. Costume designer Dennis Wright was thrilled to base his designs of Christensen's style. He said, “What I really love about Christensen’s work is the whimsy that he incorporates into his characters. His distinctive use of patterns, layers and silhouette is really fun and distinctive. I wanted to be sure to capture that in the costume designs for this production. “I love this show, and the concept and design choices our team has made. I am excited to share it with our audience. As a big James Christensen fan, my one regret is that I didn’t actually get to meet the artist in person. I just returned to Utah last year and sadly, missed my chance. I am very grateful to be able to pay tribute to him in this small way”. Makeup and hair designer Sarah Bult also shared some of her thoughts. “After reading the script I looked through as many James Christensen paintings as I could find. I picked out textures, colors, broke it all down and paired certain characters with those elements. His artwork influenced everything from the shape and colors of hair down to the detail on the bead work of the hairpins. I loved that I could draw my inspiration from his work and create something that really embodied his artwork." Bult continued, “One thing I didn’t expect to be a challenge was that not many Christensen pieces have hair showing. This created a very unique and fun challenge for me. I had to look many different paintings, combine textures and colors, and use my own design style to come up with fun fairy tale hair and makeup styles that were reminiscent of Christensen’s artwork. I am very excited to see how all of the elements come together”. Join us on the 4th Wall next time to learn more about what goes on behind the scenes!
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Until Next Time, Microburst

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by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
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