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Everyone Pick an Animal!

by Abram Yarbro, dramaturg This week included a curiously fun rehearsal. We’ve gotten to what I think is the funnest part of the rehearsal process. The cast has their lines memorized, which frees them to explore more of their characters. Last week our director asked each actor to associate their character with an animal and research that animal. Tuesday night, everyone acted like their animal while exploring each other and their environment. This exercise is meant to find the different energies of the characters in See How They Run. [caption id="attachment_3052" align="alignright" width="300"]

Rehearsal started with a simple calming exercise.

Rehearsal started with a simple calming exercise.[/caption] With everyone calm and relaxed on the floor, Director Barta Heiner gently asked them to imagine their chosen animal and impersonate it. The key is to let go of normal human reactions for the animal’s impulses. The actors were asked to explore the animal’s primitive emotions, how they react to the other animals in the room, and the environment (the rehearsal room randomly set with blocks, chairs, and pads). The room became very active and started to look something like this: https://www.youtube.com/watch?v=_NMTD5gZyzw&feature=youtu.be Can you guess any of the animals by how they’re acting? Eventually the actors stood and started speaking, using their lines and occasional improvisation to interact with each other, but still channeling the animal they had just explored. There was one final calming exercise before we gathered around to talk. This exercise provided some fascinating insights into the characters. In the play, the Reverend Lionel Toop and his wife, Penelope, are often at odds with each other. The actor for Lionel was a Meerkat and noticed that his animal and the animal for Penelope (a Golden Retriever) initially did not mesh. He thought, “This isn’t going to work. Is she going to eat me? What is going to happen?” Eventually it became playful between the two of them and he concluded, of the characters, “we’re an unlikely pair, but we can get along.” Miss Skillon is the town busybody and stirs up some trouble at the vicarage. The actress for Miss Skillon decided that her character closely resembled a Rooster. “They are very territorial and very necessary in the chicken realm but nobody likes the rooster. Miss Skillon is necessary to the parish (church congregation) but nobody likes her.” [caption id="attachment_3053" align="aligncenter" width="498"]

The cast pose as their animals.

The cast pose as their chosen animals.[/caption] Most of the actors had realizations about their character as a result of this exercise. As we ran through Act III, the actors brought elements from their animals into their characters. Each actor had an unique energy they were portraying with their character, grounding them better in their role.

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The exercise was a success, however, it did result in our biggest injury yet. During the animal exercise, one of the actors hit a sharp edge and sliced his eyebrow open. Our very helpful Assistant Stage Manager took him to the Urgent Care. Four stitches later he was back in rehearsal and ready to reprise his role as the Russian spy. We think the scar will give him the sinister look he needs as the show’s bad guy and he thinks it’s a great addition to his Halloween Costume!

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[caption id="" align="aligncenter" width="376"] Margaret Roper[/caption] Margaret More Roper: Scholar and Daughter by Adam White, dramaturg Thomas More was a family man; he was married twice and had four children with his first wife, Jane Colt. After being married for six years, Jane Colt More died, leaving More with four children: Margaret, Elizabeth, Cecily and John. However, More quickly remarried to the widow Dame Alice Middleton, marrying her within a month of his wife’s death. While many of his friends resisted the rapid nature of the arrangement, More went through with it. Thomas and Alice More would raise the four children Thomas More had with Jane, as well as Alice’s daughter from her previous marriage and a foster daughter. Certainly, More valued his family and the welfare of his children. More also valued the power of education. He insisted that his daughters be educated through rigorous schooling, and this was unusual in 16th-century England, as society at large believed women unfit for scholarly pursuits. Despite cultural and institutional norms, Margaret More, the eldest of the More children (and More’s favorite, some would argue), would grow to become one of the most educated people in all of England, a woman of great scholarly knowledge. Margaret More Roper was tutored at home and became well-known for her studies, particularly for her adeptness in Greek and Latin. Her skill in writing and speaking Latin would impress the clergy of England. This specialty is reflected in a scene in Bolt’s A Man for All Seasons where Margaret and King Henry VIII engage in a bit of Latin language sparring. She would also become the first woman who was not of royal birth to publish a translated book. In October 1524, Roper published an English translation of a book called ‘Precatio dominica’ written by Thomas More’s good friend Erasmus. This book was based on the Lord’s Prayer. Instead of translating the book directly from Latin to English, Roper would use her extensive knowledge of both languages to construct the themes and the meanings Erasmus had written in to the treatise with her own words. [caption id="" align="aligncenter" width="291"] Erasmus, Dutch humanist and good friend to Thomas More[/caption] It was Margaret who would visit the imprisoned Thomas More the most often. They were very close, writing letters to one another regularly the duration of their relationship. It was in a letter to Margaret that Thomas More confided, “I do nobody harm, I say none harm, I thinke none harm, but wish everybody good. And if this be not enough to keep a man alive, in good faith I long not to live.” We have good reason to believe that Margaret More Roper very well understood what would be her father’s fate. After Thomas More’s execution, Margaret More Roper and her husband William Roper would continue to carry on his legacy in their own ways. William Roper would write the first biography of Thomas More, a glowing and gracious document that would influence our understanding of More’s personality for hundreds of years to come. Margaret More Roper actually kept her father’s head after his beheading, pickling it to preserve it from decay. While many of us may find that historical tidbit a tad macabre, I would like to believe that Margaret More Roper had deep admiration for her father; perhaps it was out of this feeling she kept his head. Please stay tuned to the 4th Wall Dramaturgy Blog to catch clips of my interview with Mallory Gee, the actress who will portray Margaret More Roper in BYU’s A Man for All Seasons. Bibliography: Abernathy, Susan. "Margaret Roper, Daughter of Sir Thomas More." Early Modern England. N.p., n.d. Web. 04 Feb. 2014. Duerden, Richard. "A Man for All Seasons." Telephone interview. 31 Jan. 2014. "Margaret Roper." Wikipedia. Wikimedia Foundation, 28 Sept. 2013. Web. 02 Oct. 2013. "Sir Thomas More Quotes and Quotations." Sir Thomas More Quotes and Quotations. Luminarium. N.p., n.d. Web. 11 Nov. 2013.
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