Everyone Pick an Animal! Skip to main content
Test

Everyone Pick an Animal!

by Abram Yarbro, dramaturg This week included a curiously fun rehearsal. We’ve gotten to what I think is the funnest part of the rehearsal process. The cast has their lines memorized, which frees them to explore more of their characters. Last week our director asked each actor to associate their character with an animal and research that animal. Tuesday night, everyone acted like their animal while exploring each other and their environment. This exercise is meant to find the different energies of the characters in See How They Run. [caption id="attachment_3052" align="alignright" width="300"]

Rehearsal started with a simple calming exercise.

Rehearsal started with a simple calming exercise.[/caption] With everyone calm and relaxed on the floor, Director Barta Heiner gently asked them to imagine their chosen animal and impersonate it. The key is to let go of normal human reactions for the animal’s impulses. The actors were asked to explore the animal’s primitive emotions, how they react to the other animals in the room, and the environment (the rehearsal room randomly set with blocks, chairs, and pads). The room became very active and started to look something like this: https://www.youtube.com/watch?v=_NMTD5gZyzw&feature=youtu.be Can you guess any of the animals by how they’re acting? Eventually the actors stood and started speaking, using their lines and occasional improvisation to interact with each other, but still channeling the animal they had just explored. There was one final calming exercise before we gathered around to talk. This exercise provided some fascinating insights into the characters. In the play, the Reverend Lionel Toop and his wife, Penelope, are often at odds with each other. The actor for Lionel was a Meerkat and noticed that his animal and the animal for Penelope (a Golden Retriever) initially did not mesh. He thought, “This isn’t going to work. Is she going to eat me? What is going to happen?” Eventually it became playful between the two of them and he concluded, of the characters, “we’re an unlikely pair, but we can get along.” Miss Skillon is the town busybody and stirs up some trouble at the vicarage. The actress for Miss Skillon decided that her character closely resembled a Rooster. “They are very territorial and very necessary in the chicken realm but nobody likes the rooster. Miss Skillon is necessary to the parish (church congregation) but nobody likes her.” [caption id="attachment_3053" align="aligncenter" width="498"]

The cast pose as their animals.

The cast pose as their chosen animals.[/caption] Most of the actors had realizations about their character as a result of this exercise. As we ran through Act III, the actors brought elements from their animals into their characters. Each actor had an unique energy they were portraying with their character, grounding them better in their role.

20141021_201154

The exercise was a success, however, it did result in our biggest injury yet. During the animal exercise, one of the actors hit a sharp edge and sliced his eyebrow open. Our very helpful Assistant Stage Manager took him to the Urgent Care. Four stitches later he was back in rehearsal and ready to reprise his role as the Russian spy. We think the scar will give him the sinister look he needs as the show’s bad guy and he thinks it’s a great addition to his Halloween Costume!

Related Articles

data-content-type="article"

Contextual Resources for The Cherry Orchard

March 27, 2025 09:29 PM
The creative team began working on this production a little more than a year ago. In my role as production dramaturg, I was happy to create a website of resources first for the creative team, and then when we went into rehearsals, for the cast. And now that we are opening the show, the resources offer valuable perspectives to our audiences as well.
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=
data-content-type="article"

Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=
data-content-type="article"

“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
overrideBackgroundColorOrImage= overrideTextColor= overrideTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= overrideTextAlignment=