Dramaturgs' Note: Celebrating Christmas Around the World Skip to main content
Student Projects

Dramaturgs' Note: Celebrating Christmas Around the World

Rejoice, we’re back in person. Rejoice, the semester is almost over. Rejoice, that your family member is coming back to health. Rejoice, Jesus wins in the end. Whatever it is, rejoice. The theme of Christmas Around the World this year is Rejoice. But rejoicing isn’t always joyful. Just as Adam and Eve had to learn joy from pain, good and bad often go hand in hand. So while we celebrate this Christmas season, let’s reflect back on what we’ve had to experience to help us rejoice. In this modern day and age, the pain and hardship we see with the Covid-19 pandemic have affected us all. The announcement of a global pandemic, and finally the world moving forward, has been a major part of our history. March 12, 2020, will forever be remembered by many as the day Brigham Young University shut down and everyone left. Not knowing what the future would hold or how long the hardships were going to last, we pushed forward. The pandemic remained dominant and still rages on. With the 60th anniversary of Christmas Around the World being postponed, we learned even more what that pain can do to foil our joy and rejoicing.

Finally, we can begin to rejoice because today we are back together, in person, and enjoying dances from around the world. Through perseverance, we gained the ability to be even more grateful for that which we have once more. Though hardships do unfortunately exist, the good that comes from them can be appreciated far more if we allow those same hardships to soften our hearts.

Christmas Traditions

As the Christmas Season approaches, the world becomes brighter and better when we turn towards tradition. Whether that’s a favorite food, a favorite song, or just the season, this can be a very joyous time of year for all people. As we reflect on traditions, we look specifically at Scandinavia, including the countries of Norway, Sweden, and Denmark. Around the Christmas holiday, Scandinavia celebrates Advent, a traditional holiday ritual. It’s a way to light the world as we get closer to the celebration of Christ’s birth.

On each of the four Sundays leading up to Christmas, families, and friends gather together and sit down to light a candle representing something they hold dear to their hearts. These are often ideals, such as hope, healing, joy, and humanity.

The word “Advent” derives from the Latin word “adventus,” meaning “coming,” as in Christ is coming. So it seems only fitting that a song that is traditionally sung in connection with Advent is the song “O Come, O Come, Emmanuel.” While on the surface, this hymn is about the birth of Christ, a double meaning in each of the verses is the idea that we are also preparing now for Christ’s return. In the original version written during the eighth or ninth century, it was written with repeating O Antiphons. The verses originally were sung: “O Sapentia (Wisdom)/ O Adonai (Hebrew word for God)/ O Radix Jesse (stem or root of Jesse)/ O Clavis David (key of David)/ O Oriens (dayspring)/ O Rex Genitum (king of the Gentiles)/ O Emmanuel/ (O Virgo virginum [virgin of virgins]).” If you take the first letter of the second word of each antiphon it spells SARCORE. Which, if read backwards, forms a two-word acrostic, “Ero cras,” meaning “I will be present tomorrow.”

With hope and joy, we not only look back and rejoice, but look forward to Christ’s return. As the candles burn to signify the light that HE brings into the world we can look forward, knowing that although life might be hard right now, there is an immeasurable amount of joy and happiness that is waiting for us.

Carol of the Bells

Although not rich in lyrics pulled from scripture, unlike Handel’s “Messiah,” “Carol of the Bells” reminds us about the important need for hope during the Christmas season. Like the Israelites in the first century, we await a Savior to return to the world and set everything right. As we wait, we remember the first time our Savior came to earth and brought hope to the world. Through this song, we can also discover the importance of hopeful lyrics during the most difficult times of our lives. The original version of this song was composed during one of the greatest atrocities the world had ever seen, the first World War. People had never witnessed destruction to that caliber. Finally, “Carol of the Bells” shows us that we can transform something and make it into something beautiful. We may find that throughout our lives God shapes us from one thing into another. The song originated as a New Year’s tune, but now, almost every church sings the song for the Christmas season. No matter what the case, God can use us as a vessel for hope, to bring cheer to people no matter what the season: Christmas, New Year’s, or another time of the year entirely.

- Mark Geslison (Mountain Strings Director)

With the pandemic and the way the world is changing, now is the time, more than ever, to have hope for the future. We saw a world shut down in what felt like a matter of moments and we are just now beginning the process to step out of the turmoil. Carol of the Bells, written in a time of turmoil during World War I, was striving even then to portray hope and joy amidst the heartache and pain. Just as Carol of the Bells states, let us “send on without end [our] joyful tone to every home” this season as the world is still trying to recover from our turmoil, and let us turn to hope. Let us understand the pain that we had to go through and turn towards joy that combats the pain. Rejoice, Jesus is the Christ. Rejoice, it's Christmas time. Above all else, rejoice!

 

Related Articles

data-content-type="article"

Elizabethan England

November 09, 2021 01:21 PM
I know I have but the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England too.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Historical Time Periods of Julius Caesar

November 08, 2021 12:00 AM
by Emme Corbett, dramaturg As a senior student studying history at BYU. One of the first concepts you learn as a history major is that when you study history, it is vital that you do not bring your modern-day biases with you. As strange as some past behaviors or occurrences may be to our modern eyes, understanding the reality of what life was like in historical societies allows for a more authentic and rich study of the past. It also becomes evident fairly quickly that no matter what point in time you’re studying or where you are in the world, there will be commonalities across many cultures. The shared similarity of the human experience allows these connections to occur, so it is no surprise that researching various time periods could be related back to Caesar in Ancient Rome. It was necessary in our dramaturgical research to explore three major time periods that are encompassed within this play in one way or another. These time periods are first, 49 B.C. Rome, when Julius Caesar first became a dictator of Ancient Rome, and the setting for the original script. Second, 1599 England, when William Shakespeare’s Julius Caesar was first performed, most likely at the Globe Theatre. And third, 1919 Italy, when Italy was recovering from participating in the First World War, and the setting for our performance at BYU. This weakened state created a situation where authoritarianism could ensue. It was an interesting experience to be able to connect the culture of Ancient Rome to that of Italy in the early 20th century. The reason for choosing this production of Julius Caesar to take place in 1919 Italy is not random. The significance of that time period is to draw upon the reality that history repeats itself. An aspect of history that is repeatedly detrimental to countless societies is when a group of people finds itself weak and vulnerable--whether that is due to lack of resources, a change in leadership, exiting a war, or simply evolving generations--and a power vacuum is created. This moment in time when desperation allows for someone to assume leadership (based purely on the need to rely on anybody) and provide temporary relief is often too quickly turned into an authoritarian government. The third time period that we also had to account for in this production was the time of Shakespeare in 1599 England. Some of the questions we had to ask ourselves were: Why Julius Caesar? What elements from the story of Caesar’s assassination did Shakespeare feel would resonate with his audience? From these questions and further research on the Elizabethan period, we discovered that, like in 1919 Italy, there was a concern with the succession to the Crown. Queen Elizabeth I was on the throne at the time and created conflict among the people beyond her just being a woman in power. Queen Elizabeth never married and subsequently never bore any children, thus failing to secure a successor who was in her direct line. Another element of the play that related to Shakespeare’s audience was the role of the plebeians. Their behavior in the play could symbolize how the lower class in the Elizabethan Era, while uneducated and changeable, contribute largely to the success of their society.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Italian Bias

November 06, 2021 01:52 PM
I love working as a dramaturg. I love studying, researching, and learning new things, and being able to treasure new knowledge in my life. Being part of the Julius Caesar production team has been a great and revealing experience. I quickly found out that as an Italian native who now lives in the United States, I have a lot of bias when it comes to my culture. First and foremost, Caesar is never the “bad guy” in my eyes, and I would dare to say he is not the bad guy in the eyes of most Italians as well. Scholars have debated about whether Caesar was a tyrant, would have been a tyrant, or if he would have been just, bringing serenity to a fractioned country. The truth is we will never know because he was murdered before he could become what he had envisioned himself to be.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=