Skip to main content
Test

Design Insights: The Servant Set

by Janine Sobeck, dramaturg In our production meetings, we've had the privilege of seeing the evolution of the scenic design for The Servant of Two Masters. Designer Eric Fielding and his assistant Logan Hayden have been hard at work at creating a set that reflects director Stephanie Breinholt's concept for the show. The design accentuates Stephanie's vision of a production where all the visual elements have a timeless feel, with no specific time period. Located in a traditional Italian piazza, the set combines different period from the forced perspective of historical design to the "Laugh-in" style of doors and windows.  The combination of these different elements, design styles and periods, creates the perfect stage for this zany production. Here's a picture of Eric's original design. [caption id="attachment_1200" align="aligncenter" width="584"]

Set Design courtesy of Eric Fielding

Set Design courtesy of Eric Fielding[/caption] And currently, if you walk through the tunnel of the HFAC, you can see the different elements under construction.

Photo Jan 30, 6 52 48 PM
Photo Jan 30, 6 53 13 PM

Related Articles

data-content-type="article"

Meet the Cast - Rachelle Elbert & Jack Shapiro

July 26, 2022 12:00 AM
By Kristen Leinbach, Dramaturg As we continue to move through the rehearsal process, it still amazes how much we are learning from this show. Rachelle Elbert and Jack Shapiro, members of the ensemble, shared the following about their experiences with the show... "The Light in the Piazza has been an escape for me (Rachelle Elbert). Being surrounded by beautiful music, passionate characters and actors, and the vivacity of the Italian culture has provided an insight into a whole new world that soothes the heart and soul. I have had the chance to experience both the bold Italian life and the sweet southern innocence as an ensemble member and Clara's understudy. As I've discovered who Clara is, her light and purity has slowly peeled away the layers and walls that I've built up throughout my own life. I feel a new light in my life, a new found appreciation for the unknown, and find beauty and sympathy in the strangest of places. I have become more comfortable with vulnerability and free expression and it's literally the greatest feeling in the world. Being apart of the beautiful production Light in the Piazza has been emotionally and spiritually fulfilling, and has opened my eyes to a realm of theater I never knew before." [caption id="" align="aligncenter" width="576"] Piazza Rehearsal - Right to Left
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Microburst: Breathing Life into Plays

July 26, 2022 12:00 AM
Mikah Hansen practicing the play, Happy Holidays by Chelsea Mortenson The upcoming Microburst Theatre Festival features six plays written by BYU students and directed by George Nelson. To bring new plays to the stage takes a lot of editing, revision, and workshopping over months to maybe years. For Microburst, these playwrights get to have life breathed into their plays thanks to the four actors of Microburst; Clara Richardson, Jacob Khalil, Mikah Hansen, and Ren Cottam.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=